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Vox V863-CA -testi on luettavissa TÄÄLLÄ.
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Kitarablogi.com – Finland's premier Guitar and Bass blog
Juttuja kitaroista ja bassoista
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On aina ilo tutustua aloitteleviin soitinrakentajiin ja heidän luomuksiinsa. Jonkin aikaa sitten minuun otti yhteyttä uusi soitinrakentaja nimeltä Osku Toppinen, joka on juuri alkanut yrittää vakiinnuttaa omaa sähkökitaroiden valmistustaan ”Odes Custom Guitars” -nimellä. Voit ottaa yhteyttä häneen Facebookissa tai Instagramissa.
Osku osallistui hiljattain Uraltonen tapahtumaan Helsingissä, ja onnistuin saamaan sähkökitaran testattavaksi. Tätä Odes Custom -kitaraa kutsutaan nimellä ”White Wizard”. Se on moderni, kiiltävän valkoinen Tele-tyylinen soitin – hintapyyntö on 1.800 € (ilman alv:tä).
White Wizard on kyllä todella upea – kokovalkoinen leppärunko ilman häiritsevää plektrasuojusta, mutta erittäin kauniilla etu- ja takaviisteillä. Rungon kiiltävä viimeistely on upea; musta ja valkoinen ovat tekijälle vaikeimmat värit, koska jokainen pieni virhe tai kuoppa pinnassa näkyy kuin mikroskoopilla. White Wizard on yksinkertaisesti virheetön – loistavaa!

Kaula saattaa näyttää perinteiseltä Fender-kaulalta, mutta se on itse asiassa tehty kolmesta pitkästä vaahterapalasta, jotka on liimattu yhteen pituussuunnassa. Otelauta on erillinen vaahteralevy ja siinä on 21 kiiltävää, ruostumattomasta teräksestä valmistettua nauhaa.
Virittimet ovat korkealaatuiset lukkovirittimet. Yläsatula on veistetty suomalaisesta hirvenluusta.

Otelaudan päässä oleva tumma aukko on huoltoaukko kaularaudan säätämiseen. Odes Custom White Wizardissa on kaularauta, jossa on pyöreä säätömutteri – aivan kuten Music Man -soittimissa – mikä tekee säätämisestä helppoa. Siihen ei nimittäin tarvita erityistä avainta tai muuta työkalua, millä tahansa metallitanko, joka sopii pyörän reikiin, voi kiertää mutteria.
Talla on Gotohin nykyaikainen malli, jossa on kuusi tallapalaa, sekä rungon-läpi kielitys.

Kaulan liitos on perinteinen pulttikiinnitys – jotkut soittajat haluaisivat pyöreämmän liitoksen, mutta minulla ei ole koskaan ollut ongelmia vintage-tyyppisten kaulanivelten kanssa. Niin kauan kuin kaula pysyy tukevasti ja varmasti paikallaan, kaikki on mielestäni kunnossa.

Odes Custom White Wizard -kitarassa on Oskun itse valmistama kaulamikrofoni, kun taas tallamikrofoni on avoin humbucker, joka tulee vanhasta Hamer-kitarasta.

Mielestäni useimmat ihmiset odottaisivat käsintehdyltä sähkökitaralta perusteellista häiriösuojausta – joko johtavalla maalilla tai kuparifoliolla – joten tämä on ainoa pieni kritiikin kohta tässä arvostelussa. Työn laatu sinänsä on varsin kelvollista, ja kaikki toimii juuri niin kuin pitääkin.

Minusta tärkein ominaisuus, joka erottaa käsintehdyn sähkökitaran massatuotannosta, on epäilemättä kustomoidun soittimen ylivoimainen soittotuntuma.
Odes Custom Guitars White Wizardin kaulaprofiili on yksinkertaisesti uskomattoman mukava. Se on yhdistelmä 1960-luvun alun Tele-kaulaa – hoikkaa ja solakkaa C-profiilia – ja hieman epäsymmetristä poikkileikkausta, joka jättää hieman enemmän tukea peukalolle. Tämä profiili sopii minulle täydellisesti, ja kaulan satiiniviimeistely on virheetön.
Kitara on säädetty nopeaksi. On vaikea uskoa, että kyseessä on kymppisetti, koska kielten venyttäminen on niin vaivatonta.
Akustisesti White Wizard kuulostaa jo valmiiksi vahvalta ja täyteläiseltä.
Vahvistettuna tämä Odes Custom -kitara on melko erilainen kapistus kuin isoisäsi Tele. Kaulamikin soundi on puinen ja pähkinäinen, mutta ei liian lasimainen; se on enemmän Hendrix- kuin Bakersfield-henkinen. Tallan humbucker saa sinut haluamaan rokata ja tiluttaa, kunnes kanssaihmiset alkavat valittaa. Kytkimen keskiasento tarjoaa maukkaasti heliseviä soundeja.
Odes Custom Guitarsin White Wizard on loistava soitin modernille kitaristille. Tsekkaa Odesin sosiaalinen media nähdäksesi muita hienoja luomuksia!
Tiedoksi: Osku Toppinen ja Odes Custom -kitarat ovat mukana tämän vuoden Tonefestissä.

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Muuten:
Käytin White Wizard -kitaraa myös tämän videon soolokitaran osissa:
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One thing Finns are justifiably proud of is their education system. Take luthiers (guitar makers), for example; Finnish luthiers are not people who had to learn guitar-making autodidactically by trial-and-error, here in Finland there is indeed a vocational institution (or trade college) teaching you how to make guitars. At the Ikaalinen College of Crafts and Design you can study to become a competent maker of string instruments. Finland also has a Guild of Finnish Luthiers to help Finnish guitar makers with networking more effectively.
For me it is always a pleasure to get to know budding luthiers and their handiwork. A little while ago I was contacted by an up-and-coming luthier named Osku Toppinen, who has just started to try and establish his own electric guitars under the banner ”Odes Custom Guitars” – you can contact him via Facebook and Instagram.
He recently took part in a small trade show in Helsinki, and I managed to get an electric guitar for testing. This Odes Custom Guitar is called the ”White Wizard”. It is a modern Tele-style instrument in gleaming white, priced at 1,800 € (sans VAT).
The White Wizard sure is one hell of a looker – an all-white alder body without any distracting pickguard, but with very luscious front and back contours. The body’s gloss finish is fantastic; black and white are the most difficult colours to get right, because every little flaw or dimple shows up like under a microscope. The White Wizard is simply flawless – I like it!

The neck might look like your regular Fender-type rock maple affair, but it is actually constructed from three long strips of maple, glued together lengthwise. The fretboard is a separate slab of maple, and offers 21 gleaming stainless steel frets.
The tuners are high-quality locking machine heads. The top nut is handmade from moose bone from Eastern Finland.

The dark hole at the end of the fretboard is actually the truss rod access. Odes Custom White Wizard sports a rod with a wheel nut – like first seen on Music Man-instruments – which makes adjustments a doddle. You don’t need a special key or other tool to adjust the rod, any metallic object that fits in the holes of the wheel can turn the nut.
The bridge is a modern six-saddle unit, made by Gotoh, with through-body stringing.

The neck joint is the traditional ”bolt-on” job – some players would prefer something rounder, but I’ve never had any problems with vintage-type neck joints. As long as the neck is kept firmly and securely in place, I’m good to go.

The Odes Custom White Wizard guitar comes with a bespoke neck singlecoil pickup made by Osku himself, while in the bridge position we find a coverless humbucker that had once been installed in a Hamer guitar.

In my view, most people would expect thorough shielding in a handcrafted electric guitar – either with conductive paint or using copper-foil – so this would be my only small niggle in this review. The workmanship in itself is quite decent, and everything works just as it should.

For me, the main feature that distinguishes a handmade electric guitar from high-volume bulk production is, without any doubt, the superior playability of a custom instrument.
The Odes Custom Guitars White Wizard’s neck profile is simply unbelievably comfortable. It is a combination of an early 1960s Tele neck – a slender, nice C-profile – coupled with a slightly asymmetrical cross-section, leaving a little bit more meat for your thumb to hold on to. This profile fits me to a tee, and the satin finish of the neck is flawless.
The set-up is fast and slinky. It’s hard to believe you’re actually dealing with a set of 10s here, because string-bending is so effortless.
Acoustically, the White Wizard already sounds strong and full.
Amplified, this Odes Custom Guitar is quite a different proposition compared to your grandpa’s Tele. The neck pickup has a sound that’s woody and nutty, but not too glassy; it’s more Hendrix than Bakersfield. The bridge humbucker makes you want to rock and shred until your better half starts complaining. Additionally, the switch’s middle selection offers some tasty jangling tones.
Odes Custom Guitars’ White Wizard is a great instrument for the modern guitarist. Check out Odes’ social media for other cool creations!
If you want to try out Finnish handcrafted instruments, and you’re able to come to Helsinki at the end of February, you should go and visit this year’s Tonefest exhibition, which runs on the 28th of February and the first of March.

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PS: I used the White Wizard for the lead guitar part in this video, too:
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Jos ette ole vielä kuulleet:
Juho ”Kihara” Pitkäsen erittäin autenttinen Jimi Hendrix -tribuutti ”Room Full of Hendrix” on juuri Suomi-rundilla.
Kävin lauantaina kuuntelemassa – ja katsomassa – bändiä Espoon Kannusalissa, ja täytyy sanoa, että se oli järisyttävä kokemus. Erittäin hienoa soittoa ja autenttista lavashow:ta. Kannattaa kuitenkin ottaa laadukkaita korvatulppia mukaan, koska tämä bändi käyttää kunnon vahvistimia ja isoa lavavolyymia.
Room Full of Hendrix:ssä soittavat:
• Juho ”Kihara” Pitkänen – laulu ja kitara
• Hannu Sormunen – basso ja taustalaulu
• Jarkko Rantanen – rummut ja taustalaulu
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Tämän testin alkuperäinen suomenkielinen versio löytyy Rockway-blogissa.
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Slovenian company Flight focuses entirely on ukuleles and has been able to expand its range considerably in recent years. The design of the instruments is European, but the ukuleles are made in the company’s own factory in China.
Tampereen Musiiki has recently become the brand’s new importer in Finland, which I thought was a good opportunity to try out three different ukuleles from Flight’s range.
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Flight’s NUT310 (119 €; includes bag) is a basic tenor-sized ukulele with a rosette decorated with beautiful shamanic symbols, laser-etched into the wood.
The NUT310’s soundboard is made of sapele mahogany plywood, while the neck is carved from African okoume. The neck is made from one long piece, with one piece added for the neck heel and another for the peg head. The neck is glued to the body at the 14th fret.
The fingerboard and bridge of this tenor ukulele are made of walnut. The neck hold 18 well-installed frets. The position markers are round. Both the bridge saddle and nut are made of genuine bovine bone. The nut is 35 mm wide.
The Flight NUT310 has open, guitar-style tuners with black plastic knobs.
All Flight instruments have at least a strap pin at the soundbox’ butt end, allowing a standard guitar strap to fit without any problems.
The Flight NUT310 is comfortable to play and has a beautiful, round, and resonant sound.

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The Flight DUC380CEQ (149 €; incl. gig bag) is a concert-sized ukulele with a cutaway and an active preamp. The DUC380CEQ is available in four different colors – amber, coral, topaz and jade (like the test instrument). The laser-cut rosette consists of Inca-style animals.
The soundboard of the DUC380CEQ is made of mahogany plywood, too, while the neck is made of okoume. The uke’s body has a beautiful cream-colored binding on both the top and bottom.
The neck structure is similar to the other two instruments in the test. The neck is glued to the body at the 14th fret.
The concert ukulele’s fingerboard and bridge are made of walnut. The fingerboard is decorated with black binding. The fingerboard holds 17 neatly installed frets. The position markers are finger-shaped inlays placed on the bass side of the fretboard, like on some Gretsch guitars. Both the compensated bridge saddle and the top nut are made of genuine cow bone. The saddle width is 35 mm.
This model uses modern closed tuning machines with black plastic knobs.
Mounted on the side of the bass side rim is Flight’s own FU-T3 preamp, which is used to shape the signal of the piezo mic located under the bridge. The preamp is powered by two button batteries, their compartment can be found at the bottom of the soundbox next to the output jack. In addition to a volume control, the FU-T3 preamp offers a three-band EQ, as well as an internal chromatic tuner.
Successfully installing a piezo microphone on ukuleles is relatively difficult, because the piezo works best when the strings are pressed tightly against it. Due to the short scale, ukulele strings are quite loose, which often results in the C and E strings sounding louder than the G and A strings. The DUC380CEQ that we tested also suffers from the same problem – so using a compressor is recommended.
Acoustically, the Flight DUC380CEQ sounds very beautiful, with the slight midrange emphasis typical of a concert ukulele. The ukulele is very comfortable to play.

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There probably aren’t many ukuleles with a quilted ash body, but Flight’s DUS410QA (159 €; incl. gig bag) is just that. The strong cloud-like pattern on the plywood of this Flight model is very impressive. The top of the soprano model has a multi-layered edge binding, while the bottom of the body has a single-layer decorative strip.
A very beautiful walnut fingerboard is glued to the front of the okoume neck, where 12 frets are very neatly seated. The DUS410QA model’s impressive multi-piece fingerboard inlays are reminiscent of inlays on a 1930s Gibson Advanced Jumbo model. Both the walnut bridge saddle (compensated) and the instrument’s nut are made of genuine bovine bone. The saddle width is 35 mm.
Such an impressive instrument is just the ticket for gold hardware – a strap pin, as well as modern tuners with black (wood patterned) plastic knobs.
The Flight DUS410QA soprano has a suitably bright, yet strong sound, and it projects its sound surprisingly well.
