T-Rex Replicator – more sounds

Maahantuoja: Custom Sounds


Perjantaina: Blackstar Artist 15

Blackstar Artist 15 – controls 1

Maahantuoja: Musamaailma


Tulossa kesäkuussa *** Coming in June *** Viitasaari Guitars OM

Viitasaari OM – teaser

Contact: Viitasaari Guitars


Now on SoundCloud: T-Rex Replicator

• Genuine tape echo
• 100% analog signal
• True bypass
• Two playback heads for three modes of operation
• Tap tempo
• ”Kill dry” switch
• Expression pedal control of time and feedback
• Comes with second tape cartridge and soft bag
Demo Track
• All guitar tracks recorded using the Replicator and a Blackstar HT-1R valve combo
• Rhythm guitars – Fender Stratocaster (left channel) & Fender Telecaster (right channel)
• Lead guitar – Fender Stratocaster


Maahantuoja: Custom Sounds


More sounds: Blackstar Artist 15


• Two-channel valve amp
• 15 Watts
• 2 x ECC83
• 2 x 6L6
• Channel 1: Volume + Tone
• Channel 2: Gain, Volume, 3-Band EQ, ISF
• Master Volume
• Digital Reverb
• Speaker-emulated line output
• Single 12-inch Celestion V-Type speaker

• Guitars used: Epiphone Casino (with Göldo pickups) & Gibson Melody Maker SG
• Recorded with a pair of Shure SM57 microphones

Maahantuoja: Musamaailma


Pictures from the Fuzz Guitar Show 2016

Finnish luthiers were well represented at this year’s Fuzz Guitar Show in Gothenburg, Sweden.

Fuzz 2016 – Vuorensaku

Vuorensaku’s Saku Vuori displayed his aged T-Family guitars and basses, as well as his hand-wound pickups.

Fuzz 2016 – Vuorensaku Schneekloth

Vintage & Rare’s Nicolai Schneekloth took time to check out Vuorensaku’s instruments.

Fuzz 2016 – Olli Viitasaari + Tommy Sahlin

Here’s Viitasaari Guitar’s Olli Viitasaari (r) together with Swedish guitarist Tommy Sahlin (l).

Fuzz 2016 – visitor at Viitasaari Guitars

This red Viitasaari OM comes equipped with three pickups and a five-way switch.

Fuzz 2016 – Ruokangas

Ruokangas Guitar’s display included a lefty Mojo model and one of the new Unicorn Supersonics.

Fuzz 2016 – visitor checking out a Ruokangas Unicorn Supersonic

Here’s the Unicorn Supersonic in the hands of a Fuzz Show visitor.


Fuzz 2016 – Tokai Guitars Nordic 1

Finnish distributor and instrument retailer Musamaailma now offers Tokai guitar and bass models in Sweden under the Tokai Guitars Nordic banner.

Fuzz 2016 – Tokai Guitars Nordic 2


Fuzz 2015 – Mad Professor 1

Finnish amp and effects company Mad Professor was represented at the show by its Swedish distributor These Go To Eleven.


Find Kitarablogi’s complete Fuzz Guitar Show 2016 picture gallery HERE.


Now on SoundCloud – Blackstar Artist 15


• Two-channel valve amp
• 15 Watts
• 2 x ECC83
• 2 x 6L6
• Channel 1: Volume + Tone
• Channel 2: Gain, Volume, 3-Band EQ, ISF
• Master Volume
• Digital Reverb
• Speaker-emulated line output
• Single 12-inch Celestion V-Type speaker
Demo Track
• Rhythm guitars – Kasuga ES-335-copy (left of centre), Fender Stratocaster (right of centre)
• Lead guitars – Kasuga ES-335 (Japanese ”lawsuit copy” from the Seventies)
• All guitar tracks recorded with a Shure SM57


Maahantuoja: Musamaailma


Review: Bogner Goldfinger 54 Phi

Bogner Goldfinger Phi 54 – control panel logo

Bogner Amplification has recently added a new member to its Goldfinger-family of guitar amps. In addition to the two-channel Goldfinger 45, there’s now also a single-channel amplifier available, called the Goldfinger 54 Phi.


Bogner Goldfinger Phi 54 – full front

The basic idea behind the Bogner Goldfinger 54 Phi combo (current price in Finland: 3.091 €) was to develop the most versatile single-channel valve amp possible.

The 54 Phi’s starting point was the Goldfinger 45’s clean Alpha-channel. The new model is concentrating mainly on clean tones, and it is meant as the ideal combo for guitarists who achieve most of their sounds with the help of effect pedals.

Bogner Goldfinger Phi 54 – full back

In its combo version – the 54 Phi is also available as an amp head – weighs in at about 26 kilos.

The cabinet is made from pine ply and it sports an open back construction.

Bogner Goldfinger Phi 54 – Celestion G12

Bogner’s new tube combo comes equipped with a Celestion G12M-65 Creamback speaker, which combines a modern power rating with a classic, Greenback-type tonality.

Bogner Goldfinger Phi 54 – footswitch

A four-button footswitch unit is sold with the GF 54 Phi, and it gives us some hints regarding the combo’s versatility and features.


Bogner Goldfinger Phi 54 – control panel

Bogner’s Goldfinger Phi offers a lot of scope for adjustment, so that every guitarist can dial in the sound he or she wants. Due to its versatility the 54 Phi needs you to get familiar with all its features, before plugging your guitar in and wailing away.

Actually, you should start your sonic journey with this Bogner’s back panel! The GF 54 Phi comes with a slightly unusual split power amp that employs two pairs of power amp valves – a pair of 6V6s and a pair of 6L6s. Each pair can be switched on or off individually, while the front panel’s Hi/Low-switch makes it possible to use only a single power amp tube from each pair, in effect halving the combo’s output power. By using the Hi/Low-switch and the power amp switches you can choose from six power modes. The lowest alternative lets the Goldfinger Phi run at approximately nine watts (6V6, Low), while the highest power mode (6L6+6V6, Hi) will give you the combo’s full 66 watts of output.

As were talking about a valve amp here, choosing between pairs (or single) power amp tubes doesn’t only have a bearing on the 54’s power rating, but it also affects the amp’s behaviour, especially when it comes to clean headroom and power amp compression (sag). You need to find the ”right” tube and Hi/Low-switch mix for your own, personal tone.

The Gain knob is used to set the preamp gain, while Loudness is what Bogner calls their master volume controls. There are two signal boosts implemented in the Goldfinger Phi’s preamp, but their are placed at different points in the signal chain, which makes them work and sound differently. The adjustable Boost booster is placed in front of the Gain control, even making it possible to achieve some distortion, if necessary. Solo, in turn, is a fixed booster that sits right at the end of the preamp.

Bogner’s GF 54 Phi offers you two different EQ-configurations. You can choose from Bogner’s own, modern tone stack or switch to a vintage Baxandall EQ. Originally, the Baxandall circuit was designed for Hi-Fi equipment, but it found its way into some guitar amps from the 1950s and 60s. Due to the way a Bax EQ works, there’s a perceivable drop in volume when you switch over without readjusting the EQ controls.

The EQ-section is complemented by a separate Presence control, as well as two Expand-switches (one adding bottom end, the other treble).

It may come as a shock to some valve purists, but Reinhold Bogner has deliberately chosen a digital reverb unit for his 54 Phi. In his view this digital unit offers more depth of sound and lushness than the type of spring tray he’d be able to fit into the 54 Phi combo. The reverb type features a little bit of chorus-style modulation to liven things up even further.

Bogner Goldfinger Phi 54 – back panel

I’ve moaned about this before, and I’ll say it again: I’m not the biggest fan of Bogner’s downward-facing back panels. Unless you know the exact position of all connectors and switches by heart, you are forced to lie on your back to make sense of it all.

Be that as it may, the Bogner Goldfinger 54 Phi’s back panel gives you a wide array of different options for getting the most from your combo.


Bogner Goldfinger Phi 54 – teaser 2

I was only given a weekend to test Bogner’s new baby, which is why I didn’t have enough time to record more audio demos. I still managed to come up with two, stylistically rather different demo songs.

The first track was recorded with the 54 Phi combo running in in 9 watts power mode, which made it possible to achieve overdriven sounds without the aid of pedals, simply by running hot humbucking pickups into the Goldfinger. The lead guitar is a Gibson Les Paul Junior with the tone knob turned down halfway, while all backwards guitar tracks were played on a Gibson Melody Maker SG. I recorded the combo (in both demo songs) with a Shure SM57:

The second demo track was recorded with the Bogner running at full tilt (66 W), and with a Boss SD-1 overdrive and a Joyo JF-37 chorus pedal in front of the combo. All guitar parts are played on a Flaxwood MTQ Hybrid guitar with a neck humbucker and a Telecaster-type single coil in the bridge position:


Bogner Goldfinger Phi 54 – front angle

Bogner’s Goldfinger 54 Phi is a prime example of the versatility and quality of sound a well-designed, single-channel valve amp can offer.

This is a combo for the sound aesthete, who wants to build a strong foundation for his or her sound, regardless of whether this tone comes from just the fingers or a range of effect pedals.

Bogner Goldfinger Phi 54 – logo


Bogner Goldfinger Phi 54

3.091 €

Finnish distributor: Musamaailma


+ workmanship

+ versatile preamp

+ switchable power amp configuration

+ sound


Fender-uutuus: American Elite -sarjan bassot

Uusi Fender American Elite -bassosarja on nyt saatavilla.


American Elite Precision Bass -mallia tarjotaan ainoastaan nelikielisenä.


Sekä American Elite Jazz -basso…


…että American Elite Dimension Bass -malli ovat saatavilla myös viisikielisinä.


Uutuussarjan kauloissa on erikoinen kaulaprofiili, joka muuttuu C-profiilista alanauhoissa leveämmäksi D-muodoksi lähempänä runkoa.


American Elite -sarjan bassoissa kaularaudan säätö on tehty helpoksi Music Man -tyylisellä säätöpyörällä.


Uudet, neljännän sukupolven Noiseless-mikrofonit löytyy ainoastaan American Elite -bassoissa.


Bassojen aktiivielektroniikka toimii 18 voltin voimalla.


Review: Flaxwood MTQ Hybrid, Liekki 290-T Classic & 57HM-H Master

Flaxwood MTQ Hybrid – headstock

This spring is bringing exciting news from Flaxwood Guitars – the Finnish maker has given its model line-up a thorough overhaul.

One important change sees Flaxwood rearranging their models into three distinct series:

Flaxwood MTQ Hybrid – flying

The (newly-expanded) Hybrid Series encompasses Fender-inspired electric guitars, which combine Flaxwood’s famous injection-moulded WFC-necks (Wood Fibre Composite) with wooden bodies.

Flaxwood Liekki 290-T Classic – flying

Flaxwood’s bona fide classics – such as the Äijä, Laine or Rautia models – have now been grouped into the aptly-named Classic Series.

Flaxwood 57HM-H Master – flying

The brand-new Master Series is offering the guitarist ”factory customised” Flaxwood guitars. These models have received special finishes and/or hardware, in addition to pickup choices that differ from similar Classic Series instruments.

For this review we received one guitar from each series – the MTQ Hybrid (current RRP in Finland: 1.750 €), the Liekki 290-T Classic (current RRP in Finland: 2.054 €) and the 57HM-H Master (current RRP in Finland: 2.707 €).


Flaxwood MTQ Hybrid – beauty shot 1

The Flaxwood MTQ Hybrid is the company’s beautiful take on the Telecaster Custom theme, with its wood-composite Flaxwood-neck and a swamp ash body with a bound flame maple top.

Flaxwood MTQ Hybrid – back beauty

The MTQ’s gorgeous Honeyburst finish shows off some luscious wood grain.

Flaxwood MTQ Hybrid – Gotoh HAP tuners

The golden machine heads on the MTQ Hybrid are locking Gotoh H.A.P. units with height-adjustable tuning posts.

Flaxwood MTQ Hybrid – bridge

The bridge is a traditional Tele-ashtray design, but it comes updated with six bridge saddles for perfect intonation and action adjustment.

Flaxwood MTQ Hybrid – pickups

The MTQ’s pickups are made by Seymour Duncan:

The neck unit is a (PAF-style) Antiquity Humbucker, while the bridge single coil is a chunky STL-1B.


Flaxwood Liekki 290-T Classic – beauty shot 1

The Flaxwood Liekki 290-T Classic (liekki means flame in Finnish) is without doubt one of the best-known guitars from this Finnish maker. This slender and gracious f-holed beauty is offered in several cool finishes.

Flaxwood Liekki 290-T Classic – back beauty

The Liekki 290-T Classic is an all Flaxwood-WFC instrument. This injection-moulded material – which was developed in co-operation with the University of Eastern Finland – is eco-friendly and fully recyclable.

The Flaxwood body is partially hollow, and capped from the back with a resonating back plate.

Flaxwood Liekki 290-T Classic – neck joint

Flaxwood Guitars’ proprietary 3D neck joint is very smooth.

As you can see from this picture, newer Flaxwood instruments now sport a matte black neck, instead of the original, structured look of the early Flaxwood necks.

Flaxwood Liekki 290-T Classic – headstock

The company uses it’s own compensated X-Tune Nut on all Classic and Master Series models. The X-Tune Nut will make open chords ring out much more in tune than most traditional guitars.

Flaxwood Liekki 290-T Classic – vibrato

The Liekki’s 290-T-version comes equipped with Schaller’s ingenious LP Tremolo vibrato bridge.

Flaxwood Liekki 290-T Classic – pickups

Two Seymour Duncan P-90-type pickups (SP90-1 Vintage Soapbar) have been installed on the Liekki Classic.


Flaxwood 57HM-H Master – beauty shot 2

Flaxwood’s brand-new 57HM-H Master is a Metal guitarist’s dream machine.

The 57HM-H comes with a suitably moody matte black finish with golden pinstripes, Schaller Security Locks, and a pair of active EMG pickups.

Flaxwood 57HM-H Master – back beauty

Flaxwood 57HM-H Master – body cavity

The 57HM-H Master’s battery compartment has been installed into the instrument’s back plate.

Flaxwood 57HM-H Master – headstock

Flaxwood 57HM-H Master – bridge

The Gotoh hardware – locking tuners and a tune-o-matic bridge plus stopbar – has been finished in black chrome.

Flaxwood 57HM-H Master – pickups

EMG’s 57/66-set comprises a pair of alnico-loaded humbuckers, and promises to deliver an intriguing combination of vintage warmth with active punch and clarity.


Even though Flaxwood Guitars’ brand philosophy is based on the ultra-modern use of injection-moulded WFC-composite material, there is still a surprising amount of traditional handicraft that goes into the making of each and every Flaxwood model. There isn’t a machine in existence that will churn out finished instruments from raw materials, you do still need lots of guitar-making skills to build a top notch instrument.

You can see and feel the touch of a craftsman when you pick up a Flaxwood guitar. Our review trio displayed excellent workmanship, and all guitars came with a top grade set-up.

Flaxwood MTQ Hybrid – body beauty 2

Any old Telecaster lover will feel right at home with the Flaxwood MTQ Hybrid, because the most important design elements – like the vintage bridge or the control positioning – have been carried over from the classic to this new model.

The neck profile is slim and slightly oval, with a mere whiff of a V-neck’s spine along its back. The playing feel is fast, effortless and precise.

The tone of the Flaxwood MTQ doesn’t come as a surprise – this model offers an array of very tasty Tele-style sounds!

Flaxwood MTQ Hybrid – body beauty 1


Flaxwood Liekki 290-T Classic – body beauty 2

Flaxwood’s Liekki 290-T Classic is a lightweight and compact instrument that balances perfectly on a strap.

In addition to the three-way pickup switch, most Flaxwood models traditionally feature a single master volume control and two tone controls (one per pickup).

I can’t understand why Schaller’s excellent LP Tremolo isn’t used on more guitars as a standard feature. I can only applaud Flaxwood for featuring the LP Tremolo on several of their models!

The Seymour Duncan P-90s give you a wide range of different tones on the Liekki, from jazzy warmth all the way to gritty Rock.

Flaxwood Liekki 290-T Classic – body beauty 1


Flaxwood 57HM-H Master – body beauty 1

The Flaxwood 57HM-H is a fantastic addition to the company’s line-up in my opinion:

The playing feel of the 57HM-H is quite similar to the Liekki model, but the fatter frets and stable, non-trem bridge will be just the ticket for fans of detuned high-gain riffage.

The EMG 57/66-set is a great update on the US-maker’s original active humbucker recipe. There’s more than enough power and punch on tap, but you could never call these active humbuckers cold, clinical or sterile!

Flaxwood 57HM-H Master – body beauty 1


Flaxwood MTQ Hybrid – beauty shot 2

Flaxwood Liekki 290-T Classic – beauty shot 2

It’s really great to see Flaxwood Guitars expanding their line-up further!

In my view the new three-tiered model range makes a lot of sense, making it easier to find the right Flaxwood for any player.

The Liekki 290-T Classic has become a genuine classic over the years, while the brand-new MTQ Hybrid and 57HM-H models further widen Flaxwood’s appeal to include both traditional and modern guitarists. A test drive is highly recommended!

Flaxwood 57HM-H Master – beauty shot 1

Flaxwood Guitars

MTQ Hybrid – 1.750 € (comes with a gig bag)

Liekki 290-T Classic – 2.045 € (comes with a case)

57HM-H Master – 2.707 € (comes with a case)


+ made in Finland

+ workmanship

+ quality parts and pickups

+ playability

+ sound


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