Bluetone Black King Reverb ++ Testi tulossa ++ Working on a review

Here’s a demo song featuring the brand-new Bluetone Black King Reverb combo. The track is a short cover of the Who’s classic medley ”See Me, Feel Me/Listening To You”.
All guitar tracks recorded with the Bluetone Black King Reverb, without any additional pedals. The amp was miked with a Shure SM7B running into a Cranborne Audio Camden EC2.
****
”See Me, Feel Me” – Guitars
• rhythm guitar (stereo left): Fender Japan 50s Stratocaster Reissue
• rhythm guitar (stereo right): Epiphone G-400 (SG Standard)
• lead guitar: Fender Japan 50s Stratocaster Reissue
”Listening To You” – Guitars
• rhythm guitar (stereo left): Fender Japan 50s Stratocaster Reissue
• rhythm guitar (stereo right): Epiphone G-400 (SG Standard)
• lead and harmony guitars: Gibson Melody Maker SG
****
• bass guitar: Rickenbacker 4003 plugged straight into the Cranborne preamp

”Paranoid” pienellä budjetilla +++ ”Paranoid” on a small budget

Silloin kun aloitin kitaran soittamista – 1970-luvulla – ”halvat” kitarat ja vahvistimet olivat yleensä huonoja. Nykypäivänä asiat ovat onneksi muuttuneet, ja edullisilla soittovehkeillä pystyy saamaan tarpeeksi hyviä soundeja, ettei innostus musiikin tekemiseen loppu.

Jos budjetti on pieni, eikä tarkoitus ole soittaa kokonaisen bändin kanssa, saa jo tällaisella kattauksella aikaiseksi ”olohuonekitaristia” tyydyttäviä soundeja.

When I first started playing guitar – in the 1970s – ”cheap” guitars and amps were generally bad. Fortunately, things have changed, and you can get satisfying sounds with relatively inexpensive equipment.

If your budget is small, and you don’t aim at playing with a whole band, a small set-up like the above will keep you going for a good while.

Höfner 500/1 (Beatle Bass) vs Rickenbacker 4003

Here’s a demo based on the Beatles’ classic song ”Taxman”, using my 1989 Höfner 500/1 and my 1987 Rickenbacker 4003. Both basses were strung with roundwounds and both pickups were on. The bass tracks were recorded with a Bluetone Bass 200 and a Shure SM7B microphone.
****
The guitar tracks were recorded using a Tech 21 Mop Top Liverpool effect pedal.
• rhythm guitar left (Fender Stratocaster): Channel B with Boost
• rhythm guitar right (Gibson Melody Maker SG): Channel A with Boost
• lead guitar (Epiphone Casino): Channel B with Boost
• reverb added during mixdown

Pidä blogia WordPress.comissa.

Ylös ↑