Finnish company Uraltone ran a DIY pedal workshop at this year’s Tonefest Helsinki, where you could assemble this overdrive/distortion pedal kit. The three-way mini-switch gives you regular distortion, slightly overdriven boost, and distortion with asymmetrical clipping. All guitar tracks recorded using the Uraltone Tonefest Overdrive Plus pedal: • main rhythm guitar (centre): Harley Benton DC-60 Junior; Juketone Trueblood • rhythm guitar (left): Harley Benton DC-60 Junior; Bluetone Black Prince Reverb • rhythm guitar (right): Squier Sonic Mustang SS; Bluetone Black Prince Reverb • lead guitar: Jackson JS32 Dinky; Vox V845 wah; Bluetone Black Prince Reverb • microphone: Shure SM7B
• Alun perin ”Sleep Walk” oli Santo ja Johnny Farinan kirjoittama instrumentaalikappale, joka ilmestyi vuonna 1959 • Joe Satriani levytti biisistä hyvän version vuonna 2002. Se on juuri Satrianin versio, josta sain inspiraatiota äänittää oman coverin. • Kitara: Jackson JS32 Dinky • Pedaalit: Mad Professor Simble OD ja EHX Memory Toy • Vahvistin: Bluetone Black Prince Reverb
Here’s my version of the Santo & Johnny classic ”Sleep Walk”, inspired by Joe Satriani’s cover version. **** • Guitar: Jackson JS32 Dinky • Pedals: Mad Professor Simble OD & Electro-Harmonix Memory Toy • Amp: Bluetone Black Prince Reverb • Microphone: Shure SM7B • Interface: Universal Audio Volt 2
Here’s a short demo song – based on the Meters’ classic track ”Cissy Strut” – featuring two SIRE basses: • Sire Marcus Miller D5 Alder-4 • Sire Marcus Miller P5 Alder-4 **** The bass parts were played through a Bluetone Bass 200 combo, and recorded with a Shure SM7B microphone plugged into a Cranborne Audio Camden EC2 preamp. **** The guitar tracks were recorded with a Shure SM7B microphone plugged into a Cranborne Audio Camden EC2 preamp. • Guitar, stereo left: Gibson Melody Maker SG through an EHX Nano Small Stone into a Bluetone Shadows Jr combo • Guitar, stereo right: Fender (Japan) 50s Stratocaster into a Bluetone Black Prince Reverb combo
• Guitar used – Fender Japan 60s Stratocaster • Amp used – Bluetone Black Prince Reverb • Bass used – Höfner 500/1 Violin Bass • Bass amplifier – Bluetone Bass 200 • Mic used – Shure SM7B • Preamp used – Cranborne Audio Camden EC2 Check out Laundromat’s Instagram page HERE.
Laundromat is the name Finnish fuzz builder Antti Karttu has chosen for his line of handcrafted fuzz pedals.
The Thunderbird Mk I (390 €) is based on Gary Hurst’s legendary Tone Bender Mk I. The 1965 Tone Bender was one of the first fuzz pedals ever, and it started the fuzz craze in the UK.
Laundromat uses its own extremely rugged case design and only the best available components. The Thunderbird Mk I circuit is built around three NOS germanium transistors – namely a pair of Mullard OC75s and a Texas Instrument.
Like the original, the Laundromat Thunderbird Mk I isn’t a subtle fuzz pedal. This pedal grabs you by the lapels and shakes you, screaming in your face.
There isn’t much in the way of dialling down the fuzz with your guitar’s volume control, like on Fuzz Face-style circuits. This here is more of an on-off-affair.
The sound and behaviour of the Thunderbird Mk I is just as you’d expect – this is a rude sounding fuzz with a clear tendency towards gating, which adds crackles and spitting sounds to note attacks.
Vintage Tone Bender’s these days command silly prices, even for road-weary units.
Laundromat’s Thunderbird Mk I is clearly built to last, meaning it will give you delicious fuzz tones reliably.