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A short demo of a Suzuki Bluesmaster played through a Superlux D112 microphone plugged into a Bluetone Shadows Jr (Finnish all-valve combo). The amp was recorded with a Shure 55SH plugged into a Cranborne Audio Camden EC2 preamp.
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Juttuja kitaroista ja bassoista
Äänitin demobiisin viidellä legendaarisilla Shure-mikrofoneilla:
• 565SD
• SM58
• 545SD
• SM57
• 55SH
Huuliharppu on Hohnerin juhlamalli 360.
Mikit äänitettiin Cranborne Audio Camden EC2 -etuvahvistimella (jossa Mojo Creamia oli lisätty noin 40 prosenttia) ja Universal Audion Volt 2 -audiointerfacella. Efektit ovat samoja kaikille huuliharppuraidoille.
I used five legendary Shure microphones to record a Blues harp demo:
• the 565SD
• the SM58
• the 545SD
• the SM57
• the 55SH
The microphones appear in the above order – one mic per 12-bar turn.
The harmonica I used is a Hohner Limited Edition 360.
All mics were recorded with a Cranborne Audio Camden EC2 preamplifier (with Mojo Cream turned up to 40%) and a Universal Audio Volt 2 audio interface. All Blues harp tracks were processed in the same way.
Here’s a short acoustic demo song recorded with a Shure SM7B.
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Instruments used:
• Samples of a bass drum, a hi-hat and a low tom (Garageband)
• Two shakers – one small metal, one wooden from the Gambia
• Romanian 3/4 double bass
• Tanglewood acoustic guitar
• Bediaz Weissenborn lapsteel
• Vintage Frontalini accordion
• Hohner Marine Band harmonica
• Male voice
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The Shure SM7B was recorded using a Cranborne Audio Camden EC2 preamp.
The new Shure MV7X is billed as a ”podcast mic”, but does it stand up when it comes to recording instruments? Here’s what the Shure MV7X sounds like with a Blues harp, when compared to a Shure SM57.
• The microphones were recorded using a Cranborne Audio Camden EC2 preamp.
• Harmonica used: Suzuki Bluesmaster (in G)
Bluesharppujen katsaus on nyt ilmestynyt.
Find a longer version of this track HERE.