Posts tagged ‘Kitarablogi’

25/04/2018

Testi tulossa *** Working on a review *** LTD M-400M & MH-1000NT

LTD by ESP M-400M

LTD by ESP MH-1000NT

24/04/2018

Rockwayn erikoisukulelien testi on ilmestynyt

Lue testi TÄSSÄ.

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19/04/2018

Nux B-2 +++ Testi tulossa +++ Working on a review

Lisätiedot: Musiikki Silfverberg

06/04/2018

Review: TOOB 12J & 12R

Some of the coolest inventions tend to make you go ”Geez, this is so obvious! Why didn’t I think of this?”

The truth is, though, that the basic idea usually is only the first impetus for going on an exploratory journey. You have to have the inventor’s drive and perseverance to grab the idea by its throat, and hold it there for as long as it takes to hew and mould it into its final shape.

Finnish guitarist/inventor Markku Pietinen had become increasingly frustrated by the weight and size of traditional speaker cabinets for guitar. Modern technology – like Class D power amps – has lead to ever smaller amplifier sizes, yet cabinets were still cumbersome and angular.

Then one day, a few years ago, Markku passed by a building site, where he spotted a leftover piece of corrugated plastic pipe (normally used for drainage) on the ground. The proverbial lightbulb went ”ping”, and Markku started pursuing his quest for a lighter speaker cabinet.

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Here is the finished product, called the TOOB™ (current price in Finland: 369 €), which stands for ”Thinking Out Of the Box”.

The TOOB is available in two guitar versions, the 12J and 12R (as reviewed), which come loaded with a 12-inch Jensen speaker. A bass version – the TOOB 12B – is also available, and it sports a Celestion unit.

Standard colours for all TOOBs are black and cinnamon, but you can also order custom options with a painted or covered veneer overlay (you can see a few examples in the opening picture).

The TOOB’s cabinet consists of a length of Uponor IQ drainage pipe. This is an extremely lightweight and strong corrugated tube made from double-walled polypropylene. The mounting rims are a proprietary design, injection moulded from ABS plastic specifically for use in the TOOB cabinets.

Clip-on stainless steel feet come as standard, but if this looks too spartan for your taste, you can always order your TOOB with a magnetically-attached wooden stand.

The main difference between the TOOB 12J (left) and the 12R (right) is easy to spot:

The 12J (stands for Jazz) is an open back cabinet, while the 12R (= Rock) uses a ported back wall. The 12J is also a few centimetres shorter than its brother.

Both guitar versions sport two parallel jack connectors, allowing you to daisy-chain two (or more) TOOBs.

The cabinets are equipped with painted wooden mounts for use with a micro-amp of your choice (professional velcro-type adhesive strips are provided). A top notch angled plug speaker cable is also part of the package.

Both guitar TOOBs come loaded with a lightweight 12″/8 Ω Jensen Jet Tornado neodymium speaker.

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Testing the TOOBs with two different valve amplifiers – a Blackstar HT-1R and a Bluetone Shadows Jr. – it became clear very quickly that both cabinets are focused on delivering tonal clarity and getting the job done with a minimal amount of fuss.

A TOOB isn’t meant to be an esoteric boutique-style speaker cabinet, full of voodoo-like mystical timbres. These are straightforward musical tools, made to withstand the occasional knock or two, and meant to lighten your load (both physically and psychologically).

Both TOOBs offer a very focused tone that is clear and bright, but not nasty or brittle. The mid-range also stays rather well-defined and uncoloured.

I think one shouldn’t get too hung up on the supposed Jazz- and Rock-connotations of the 12J and 12R models, especially as the 12J also performs well with acoustic-electric guitars, but the differences in sound are easy to hear. The TOOB 12J is the airier and more ”acoustic” of the pair, while the TOOB 12R offers much more low-end punch and overall focus.

CLEAN STRAT

Reference speaker (Bluetone Shadows Jr. combo with a 10″ WGS Green Beret; Shure SM57):

TOOB 12J:

TOOB 12R:

OVERDRIVEN LES PAUL

Reference speaker (Bluetone Shadows Jr. combo with a 10″ WGS Green Beret; Shure SM57):

TOOB 12J:

TOOB 12R:

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Any way you look at the TOOB™, you will have to concede that this new type of speaker cabinet is an ingenious solution to an age-old problem. The TOOB is just as rugged and roadworthy as it is lightweight and compact.

These unique cabinets sound great, with more than enough power on tap for most of us working stiffs, who play small to medium-sized indoor venues.

Combine a TOOB with one of the current micro-amps, like Vox’ MV50-series for example, and what you get is a powerful rig that’s hard to beat for ease of use and transportability.

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The TOOB

Lightweight guitar speaker cabinet

TOOB 12J: 369 €

TOOB 12R: 369 €

Contact: TOOB

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Pros:

+ made in Finland

+ ruggedness

+ weight

+ power handling

+ soundSave

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23/03/2018

Now on Soundcloud: The TOOB

Contact: TOOB

22/03/2018

Review: Hagström Fantomen

You could call Hagström’s Fantomen (Swedish for The Phantom) a signature guitar of sorts, as it has been designed in collaboration with Swedish Metal band Ghost.

In terms of its outline the Fantomen is not a million miles removed from Gibson’s forgotten Seventies classic the RD, which was sunk by the ill-advised addition of active electronics. The Hagström Fantomen, in contrast, has been designed as a straightforward and practical, yet versatile, electric guitar for the Rock and Metal guitarist. Let’s take a look…

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The Hagström Fantomen (current price in Finland ca. 850 €) marries a set mahogany neck to a relatively thin mahogany body (3.5 cm/1.38″).

The Fantomen is available in black and white finishes, too, but I must say that the sunburst finish on our test sample is a stunner, really showing off the two-piece body’s wood grain.

The front of the body sports multi-ply binding, while a comfortable ribcage chamfer has been added to the back.

Hagström’s stylish headstock is a bona fide design classic, as are the stepped tuner buttons.

Two special features are included in all Hagström models:

The Hagström H-Expander truss rod is an ingenious piece of engineering. The adjustable rod sits inside a metal rail with an H-shaped cross-section. The entire assembly is then inserted into a slot of the same shape that has been cut into the neck wood. The H-Expander requires less wood to be removed than any of the other traditional truss rod designs, which is a good thing for the structural integrity of the neck, which in turn benefits the guitar’s tone and sustain.

Hagström has also long been favouring its proprietary Resinator-material for all of the company’s fingerboards. Long before the recent ban of genuine rosewoods was even on the horizon, Hagström found a way to bond sustainable wood slivers and resin into man-made ebony, calling the material Resinator.

The Fantomen has a Fender-style scale of 64.8 cm (25.5″) and offers 22 medium-jumbo frets on its 15-inch radius fretboard.

The chrome hardware further comprises a tune-o-matic-type bridge and a stopbar tailpiece, as well as a set of Hagström’s H-embossed knurled control knobs.

For their Fantomen model Hagström turned to Swedish pickup guru Johan Lundgren, who designed a set of Far Eastern Lundgren Designed humbuckers for the model.

The neck humbucker is loaded with an Alnico II magnet, while the bridge unit uses a stronger Alnico V version.

The Gibson-type control setup of two volumes and two tones is further augmented by push/pull-switches in the tone controls that split the humbuckers.

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For such a comparatively large-bodied guitar the Hagström Fantomen is rather comfortable to ”wear” and play. Our test sample’s weight is on the moderate side of medium.

The neck profile is a slim D and the excellent, buzz-free setup makes the test sample a real player. The fretwork is very competent, even though our test guitar’s frets would have benefitted from a few minutes more attention during polishing. Straight out of the box there’s a tiny amount of coarseness you can feel during bends, which will disappear by itself, though, simply by playing the Fantomen regularly.

The decision to use humbuckers with a moderate output level in the Fantomen really pays off. The tones this Hagström delivers are nuanced, dynamic and three-dimensional. The Fantomen is a guitar that faithfully translates a player’s touch into music, meaning it can be gentle just as well as aggressive. The coil splits go a long way in providing fairly authentic single-coil sounds for those Fendery moments.

Here is a clip showing you the six main pickup selections played through a Bluetone Shadows Jr. boutique combo. The full humbucker settings come first:

The demo song was recorded using a Juketone True Blood amp (Tweed Champ clone) and a Bluetone Shadows Jr. combo. No pedals were used:

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Even though the Fantomen was designed in collaboration with a Metal band, Hagström haven’t fallen into the trap of creating a one-dimensional, balls-to-the-wall screamer. The looks may say ”Rock”, but Hagström’s Fantomen also offers fine clean tones, turning this model into a great all-rounder.

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Hagström Fantomen

Current price in Finland approx. 850 €

Finnish distributor: EM Nordic

Pros:

+ workmanship

+ sound

+ versatility

+ value for money

Cons:

– gigbag not includedSave

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21/03/2018

Hagström Fantomen – the Kitarablogi-video

Lisätiedot: DLX MusiikkiSave

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16/03/2018

Barnes & Mullins, Ohana and Kala – Ragtime ukes

12/03/2018

C.F. Martin T1K vs Ohana TK-100BJU

06/03/2018

Hagström Fantomen – Now on Soundcloud

Lisätiedot: DLX MusiikkiSave

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