Tulossa kahden hardtail-tallalla varustetun Jazzmaster-tyylisen kitaran testi:
Takamine GD10-NS, Tanglewood TWD-ST & Yamaha FG800MII – tulossa Rockway-blogiin
Here’s a demo of three affordable dreadnought-sized acoustic guitars. The demo is based on Anssi Kela’s classic track ”Kaksi sisarta”.
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• Tanglewood TWD-ST
• Takamine GD10-NS
• Yamaha FG800MII
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• first verse: Yamaha (lead), Takamine (left rhythm), Tanglewood (right rhythm)
• second verse: Tanglewood (lead), Yamaha (left rhythm), Takamine (right rhythm)
• third verse: Takamine (lead), Yamaha (left rhythm), Tanglewood (right rhythm)
• rhythm guitar tracks recorded with a Shure 545SD
• lead guitar tracks recorded with an AKG C3000
• mic preamp: Cranborne Audio Camden EC2
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Testi tulossa:
blogi.rockway.fi
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Review: Vox V845 Wah-Wah
Alkuperäistä, laajempaa Rockway-juttua voi lukea TÄÄLLÄ.
• ”Papa…” – whacka-whacka Motown/Funk
• ”Voodoo…” – expressive wah-wah use
• ”Money…” – so-called ”cocked” wah-wah (pedal parked in one position)
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• Vox V845 wah-wah
• Mad Professor Simble Overdrive
• Ibanez 850 Fuzz Mini
• Fender (Japan) Stratocaster and Hamer USA Studio Custom guitars
• Juketone True Blood valve combo

The Vox V845 is an interesting wah-pedal for at least three reasons – it’s made by the inventors of the wah-wah, it is very affordable (around 70-75 euros in Finland), and it is much lighter than regular Vox- or Dunlop-made wah-wahs (only 900 g compared to approx. 1.6 kg).
This drastic difference in weight is achieved by using a plastic core for both the main casing and the treadle. This core is then coated with an aluminium-based coating that gives the V845 the traditional look of a wah.

Electronically the Vox V845 is virtually identical to a vintage Vox-wah, apart from being built with a couple of PCBs and modern components.

An important improvement over the originals from the 1960s and 70s is the addition of a DC input, which allows you to power the V845 from a modern power supply.

The Vox V845 looks like a wah-wah, feels like a wah-wah, so it’s no surprise that it also sounds like a genuine Vox-wah. The V845 switches on and off in the traditional way by giving the switch beneath the treadle a push in the toe-down position. The sound is big and warm, and, typical for a Vox, a little less abrasive in the top end than a standard Dunlop Cry Baby. What’s not to like?
I’ve been using the Vox V845 for four years by this point, and it hasn’t given me any trouble so far. Check it out!
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Here are two recent recordings I’ve used the V845 on:
Nyt Rockway-blogissa: Kolme epätavallista Ohana-ukulelea
• Concert-kokoisen VKC-70:n inspiraationa on toiminut Harmonyn Roy Smeck Vita -nimikkomalli.
• Ohana BKT-70G yhdistää tenori-pituisen kaulan ja baritoni-uken kaikukopan.
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Komppiosuudet on soitettu oikean käden peukalolla ja etusormella. Stereokuvassa SKB-35 tulee vasemmalta, BKT-70G on keskellä ja VKC-70 kuuluu oikealta. Soitin melodiaosuudet 3 mm paksulla huopaplektralla.
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Kaikki ukuleleraidat on äänitetty Shure 545SD -mikrofonilla ja Cranborne Audio Camden EC2 -etuvahvistimen kautta.
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Testi on nyt luettavissa TÄÄLTÄ.
Dean Markley ProMag Plus ja Seymour Duncan Woody SC – Testi nyt Rockway-blogissa
Magneettisien ääniaukolle menevien mikrofonien testi löytyy TÄÄLTÄ.



