Review: LTD AJ-1 Andy James + EC-1000ET Evertune

This time we take two new LTD-models for a spin:

LTD AJ-1 – body angle 1

The LTD AJ-1 is the brand-new signature model for British guitarist Andy James. Mr James is best known for his stellar work with the Prog Metal outfit Sacred Mother Tongue.

LTD EC-1000ET – body angle 1

The LTD EC-1000ET Evertune isn’t some rocking rapper’s axe of choice, instead it is one of currently two LTD-guitars factory-equipped with an Evertune-bridge. The Evertune-system promises to do away with the chore of having to tune your guitar for virtually the whole lifespan of a set of strings.

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LTD AJ-1 – full front

The Andy James LTD AJ-1 (current price in Finland: 986 €) is clearly based on the Horizon/MH-series of instruments, but fine-tuned in many details to Andy’s requirements.

LTD AJ-1 – full back

The most obvious difference to your regular Horizon is the AJ-1’s satin black finish, which feels very smooth to the touch and doesn’t get all slippery when you’re starting to sweat (in contrast to some gloss finishes).

The guitar is build around a maple through-neck, with mahogany used for the body. The AJ-1’s slightly curved body top and the deep rib-cage chamfer  make for a very comfortable fit.

LTD AJ-1 – headstock

Andy James also requested a non-standard headstock shape for the LTD AJ-1, instead of the usual pointed hockey stick type shape found on regular MH-series guitars.

I’m probably just being a boring old fart here, but I must say I’m not the greatest fan of this style of über-Metal headstock. Objectively, though, there’s nothing wrong with this functional three-a-side design.

LTD AJ-1 – tuners

The AJ-1 sports a graphite top nut, as well as black locking tuners, to keep the guitar’s tuning rock solid.

LTD AJ-1 – inlay

The inlaid Andy James-crest at the 12th fret is a very beautiful touch.

LTD AJ-1 – frets and binding

The quality of workmanship in the fretting and binding departments leaves nothing to be desired in our test sample.

LTD AJ-1 – neck joint

Smooth is the right word to describe this type of neck-to-body-junction, which makes excursions to the dusty end of the fretboard a doddle.

LTD AJ-1 – bridge

Mr James has specified a  TonePros-bridge for his main squeeze. Two grub screws lock the Tune-o-matic to the bridge posts for better vibrational transfer from the strings to the body, and thus a better tone and more sustain.

LTD AJ-1 – pickups 2

The LTD AJ-1 comes equipped with a set of active EMGs from their recent Metal Works-series.

An EMG 66-humbucker is used in the neck position. This pickup is build around an Alnico V-magnet and ceramic pole-pieces for a rich tone with good string separation and clarity.

The bridge ’bucker is an EMG 57, which pairs the Alnico V with steel pole-pieces for a slightly warmer, vintage inspired sound.

LTD AJ-1 – controls

Andy James doesn’t use a tone control on his guitars, which is why the signature model only comes with a three-way switch and a master volume control.

LTD AJ-1 – control cavity

The control cavity displays clean workmanship. The battery compartment’s lid is screwed on with machine screws that grip into threaded inlets sunk into the body wood, which is a roadworthy solution.

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LTD EC-1000ET – full front

The LTD EC-1000ET (current price in Finland: 986 €) is the Evertune-equipped sister model of the regular EC-1000.

It is a set-neck guitar featuring a mahogany neck, as well as a mahogany body with a maple top.

LTD EC-1000ET – full back

The EC-1000ET’s strings are loaded into the bridge from the guitar’s back.

LTD EC-1000ET – headstock

As a card-carrying member of the LTD Deluxe-range the instrument is adorned with multiply binding and pearl inlays.

LTD EC-1000ET – tuners

These classy Grover-tuners manage to combine contemporary functionality with vintage looks.

LTD EC-1000ET – fretboard

Look at the crisp inlay work in the rosewood fingerboard and the great fret job!

LTD EC-1000ET – pickups

The LTD EC-1000ET comes equipped with EMG’s classic EMG 60/EMG 81-combination, which means we’re in for a strong output signal with a well-focused mid-range, clean highs and a very precise bottom end.

LTD EC-1000ET – controls

The control nearest to the bridge is the EC-1000ET’s bridge pickup volume [sic!], with the middle control being the neck volume and the third knob adjusting master tone.

LTD EC-1000ET – control cavity

This guitar is almost as clean on the inside as it is on the outside.

LTD EC-1000ET – Evertune bridge

The Evertune-bridge is based on very similar physical principles as modern knife-edge vibrato bridges. In the Evertune’s case there is a separate spring-loaded mechanism with a knife-edge bearing for each of the guitar’s strings, trying to keep the string’s tension (read: tuning) unchanged for practically the whole of its lifespan.

The allen screws visible at the back of the Evertune-bridge are the intonation screws, while the ones on top of the bridge are for string-height adjustment.

LTD EC-1000ET – Evertune mechanics

This is what the Evertune looks like underneath the back cover plate.

LTD EC-1000ET – tuning key

An Evertune-equipped guitar is not tuned at the headstock. The traditional tuners are instead used to correctly tension each string, as well as to adjust how much (if at all) each string reacts to finger vibrato and string bending.

You tune the guitar at the bridge by turning a hex screw inside the bridge saddle. The picture shows the handy key included with the guitar, but a regular allen key will also work fine.

According to Evertune its factory-speced bridge should work correctly at standard tuning (E-e, a = 440 Hz) using regular 009-012 string sets. Many other tunings, like drop-D or DADGad, should also be possible with the regular Evertune-bridge, but you will need to make changes to the tuner- and bridge-settings, meaning a change in tuning mid-gig is practically out of the question.

If you’re using very heavy (or very light) string gauges and/or very unusual tunings, you will in all likelihood have to swap a few of the bridge’s spring-loaded saddle-units for differently tensioned ones, which are available as options from Evertune.

You can read the Evertune-manual here: Evertune User Manual

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LTD AJ-1 – front angle 2

Judging by the review sample, the LTD AJ-1 is a very lightweight guitar with a nice balance.

The neck profile is is comparatively shallow, yet round-backed ”D” that gives you the typical feel and playability of a widdle-meister guitar. The Andy James-signature very clearly isn’t for the campfire guitarist, but for the fleet-fingered Metal-shredder.

LTD AJ-1 – back angle 2

EMG seem to use the expression ”vintage” more interms of a tonal reference that with regard to a pickup’s output level, judging by this very punchy set of Metal Works-humbuckers.

Depending on the rest of your signal chain, you may be forced to turn the guitar’s volume control down to keep your signal clean:

But for overdriven and distorted use these powerful pickups have just what it takes:

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LTD EC-1000ET – full angle 2

The LTD EC-1000ET is a dyed-in-the-wool Rock-machine – it’s chunky, but not too too heavy.

The neck profile is fuller and more rounded compared to the AJ-1. The all-gloss finish of the EC-1000ET and its smalle fingerboard radius give this guitar a more vintage-type, classic feel.

It is possible that the Evertune-bridge adds a little to this model’s weight, but what is very clear to me is the added ring and sustain of the Evertune-equipped LTD.

I set the strings to high-sensitivity for easy bending and vibrato. Regardless of this the Evertune-system managed to win me over by absorbing efficiently any tuning issues caused by too much left-hand pressure or a very heavy-handed approach to right -hand strumming. The guitar stays in tune and rings freely nonetheless.

LTD EC-1000ET – back angle 1

This EMG-set sounds a little bit more neutral to my ears. It’s maybe a tad dryer than the Andy James-model’s tone – it’s different, but still very good:

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LTD AJ-1 – front angle 1

Brother, what an axe! In my opinion the LTD AJ-1 is a fine example of a streamlined instrument for the hard and heavy-crowd. The Andy James-model plays like a dream, and it gives you a chunky, buzz- and squeal-free signal with plenty of tonal character as a solid basis for you string excursions.

LTD EC-1000ET – full angle 1

Is there a classier chassis for the novel Evertune-bridge than the LTD EC-1000ET? Probably not!

This is a very cool guitar if you want to cut down drastically on the amount of time spent tuning. The Evertune-bridge probably isn’t the best choice if you need one guitar to cover all sorts of different tunings. But if you stay in one tuning, you’ll quickly appreciate the (tonal and practical) benefits of this new bridge system, and tuning a guitar becomes something that you do only very occasionally.

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LTD AJ-1 Andy James Signature

• 986 €

LTD EC-1000ET Evertune

• 986 €

Finnish distributor: Musamaailma

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LTD AJ-1 Andy James Signature

Pros:

+ lightweight

+ matte finish

playability

+ workmanship

+ sound

Cons:

– some players might crave a tone control

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LTD EC-1000ET Evertune

Pros:

+ Evertune-bridge

+ classic design

playability

+ workmanship

+ sound

Cons:

– no tuning changes mid-set

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LTD AJ-1 – body angle 2

LTD EC-1000ET – body angle 2

Testipenkissä: LTD AJ-1 Andy James + EC-1000ET Evertune

Tällä kertaa testin aiheina ovat kaksi uutta LTD-mallia:

LTD AJ-1 – body angle 1

LTD AJ-1 on brittiläisen kitaristin, Andy Jamesin nimikkomalli. Andy James on tunnettu progressiivista metallia soittavan Sacred Mother Tongue -bändin kitaristina.

LTD EC-1000ET – body angle 1

LTD EC-1000ET Evertune ei ole jonkun räppärin uusi nimikkomalli, vaan uudenlaisella Evertune-tallalla varustettu sähkökitara. Evertunen juju piilee siinä, että se käytännössä poistaa virittämisen tarpeen sen jälkeen, kun kitara on viritetty kerran.

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LTD AJ-1 – full front

Vaikka Andy Jamesin LTD AJ-1 (986 €) pohjautuukin selvästi firman Horizon/MH-sarjalaisiin, nimikkomallissa on huomioitu monta Jamesin toivomia detajiratkaisuja.

LTD AJ-1 – full back

Silmiinpistävin ero rivi-Horizoniin on AJ-1:n satiinipintainen musta viimeistely, joka tuntuu erittäin mukavalta, eikä myöskään muutu hikisillä käsillä niin liukkaaksi kuin useat kiiltävät viimeistelyt.

LTD:n vaahterakaula jatkuu yhtenäisenä koko mahonkirungon läpi. Rungon kaareva etupuoli, sekä takapuoleen lisätty syvä viiste tekevät kitarasta hyvin mukavan.

LTD AJ-1 – headstock

Andy Jamesin toiveesta LTD AJ-1:n viritinlavan muoto poikkeaa MH-kitaroiden tavallisesti käytetystä jääkiekkomaila-tyypistä.

Minä en ole henkilökohtaisesti tämän LTD-lavan suurin fani – sen kärjekäs ulkonäkö on minulle yksinkertaisesti jo liian ”Metal”, mutta objektiivisesti katsottuna ei tässä lavassa ole kuitenkin mitään vikaa.

LTD AJ-1 – tuners

AJ-1:n grafiittipitoinen satula tukee laadukkaiden lukkovirittimien toimintaa hienosti.

LTD AJ-1 – inlay

Andy Jamesin oma logo toimii 12:n nauhan kauniina otemerkkinä.

LTD AJ-1 – frets and binding

Testiyksilön reunalistoitukset, upotukset sekä nauhatyö ovat erittäin korkeaa tasoa.

LTD AJ-1 – neck joint

LTD:n sulavasti toteutettu ylimeno kaulalta runkoon helpottaa tuntuvasti otekäden pääsemistä 24:lle nauhalle.

LTD AJ-1 – bridge

Herra James on valinnut omaan nimikkosoittimeensa lukittavan TonePros-tallan. Ylimääräisen, ei-toivotun lisävärähtelyn tehokas poistaminen parantaa yleensä kitaran sointia ja sustainea.

LTD AJ-1 – pickups 2

LTD AJ-1 -mallin mikrofonit ovat aktiivit ja tulevat EMG:n melko tuoreelta Metal Works -sarjalta.

Kaulan viereen on asennettu EMG 66 -humbucker, joka on varustettu Alnico V -magneetilla ja keraamisilla napapaloilla. EMG 66:lle luvataan vintage-tyylistä soundia aktiivipotkulla, mutta ilman bassokaistan puuroutumista.

Tallamikrofoniksi taas on valittu EMG 57, jossa Alnico V:n kumppaneiksi on lisätty teräsnapapaloja hieman pehmeämpää, PAF-maista sointia varten.

LTD AJ-1 – controls

Andy James ei tarvitse tone-säädintä lainkaan, minkä takia se on jätetty hänen nimikkomallistaan kokonaan pois.

LTD AJ-1 – control cavity

Takalokeroiden työnjälki on hyvin siisti. Paristolokeron kansi on kiinnitetty koneruuveilla, mikä on selvästi puuruuveja kestävämpi ratkaisu.

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LTD EC-1000ET – full front

LTD EC-1000ET (986 €) on tavallisen EC-1000:n Evertune-tallalla varustettu sisarmalli.

Kyseessä on siis liimakaulainen kitara, jolla on mahonkikaulan lisäksi samasta puusta veistetty runko vaahterakannella.

LTD EC-1000ET – full back

Kielitys hoituu EC-1000ET:ssä rungon takapuolelta tallan läpi.

LTD EC-1000ET – headstock

Aitona LTD Deluxe -malliston jäsenenä soittimella on upeat helmiäisupotukset, sekä monikerroksinen reunalistoitus sekä kaulassa että kannessa.

LTD EC-1000ET – tuners

Tyylikkäissä Grover-virittimissä yhdistyy nykyaikainen tarkkuus ja vintage-tyylinen ulkonäkö.

LTD EC-1000ET – fretboard

Palisanteriotelaudassa kohtaavat upeat helmiäisupotukset ja erittäin korkeatasoinen nauhatyö.

LTD EC-1000ET – pickups

LTD EC-1000ET:n mikrofonivarustus koostuu – jo klassikoksi varttuneesta – EMG 60/EMG 81 -parivaljakosta. Tarjolla on siis hyvin fokusoitu keskialue, heleä diskantti, sekä muhkea basso tehokkaassa, aktiivisessa paketissa.

LTD EC-1000ET – controls

Lähimpänä tallaa oleva säädin on tallamikrofonin (!) volume, keskeltä löytyy kaulamikin volume-säädin, ja viimeiseksi tulee EC-1000ET:n master tone.

LTD EC-1000ET – control cavity

Myös tässäkin kitarassa elektroniikkalokero näyttää hyvin asialliselta.

LTD EC-1000ET – Evertune bridge

Evertune-tallan toiminta perustuu käytännössä samoihin fysikaalisiin periaatteisiin kuin esimerkiksi nykyaikainen vibratalla: Evertunen tapauksessa jokaisella kielellä on oma laakeroitu jousijärjestelmä, joka pyrkii pitämään kielen vetoa aina samansuuruisena.

Tallan takareunalla näkyy intonaatiosäätöruuvit, kun taas Evertune-logon yllä olevilla kuusiokoloruuveilla säädetään kielten korkeutta.

LTD EC-1000ET – Evertune mechanics

Tällaiselta Evertune-systeemi näyttää silloin kun takalevy on poistettu.

LTD EC-1000ET – tuning key

Evertune-kitaroilla lavalla olevilla virittimillä ei viritetä soitinta perinteisellä tavalla, vaan niillä säädetään kuinka herkästi kielet reagoivat venytyksiin ja sormivibratoon.

Virittäminen sinänsä hoidetaan kuusiokoloavaimella tallapaloissa. Kuvassa näkyvä avain tulee paketissa mukana, mutta tavallinenkin kuusiokoloavain käy.

Evertunen mukaan talla toimii tehdasvarustuksella normaalivirityksessä (E-e, a = 440 Hz) tavallisilla 009-012 kielisatseilla. Myös toisenlaisten virityksien käyttö pitäisi onnistua, mutta se vaatii aina hieman säätöä (sekä virittimillä että tallassa), minkä takia nopea vaihtaminen esimerkiksi standardivirityksestä drop-D:hen ei onnistu kesken livekeikan.

Hyvin paljon tavallisesta poikkeavia virityksiä – tai kielityksiä – varten täytyy tilata Evertunelta sopivia vaihtoyksiköitä, joita asennetaan perus tallapalojen sijasta. Lisätietoa saa Evertunen käyttöoppaasta: Evertune User Manual

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LTD AJ-1 – front angle 2

Testissä käynyt LTD AJ-1 on hyvin kevyt kitara, joka tuntuu erittäin mielyttävältä.

Kaulaprofiiliksi on valittu melko matala, mutta kuitenkin pyöreä D, joka antaa soittimelle – yhdessä suuren otelaudan radiuksen kanssa – vauhtikepille tyypillisen tatsin ja soitettavuuden. Andy James -nimikkomalli ei selvästikään ole nuotiokitaraksi tarkoitettu, vaan täysverinen nopeasormisen metallivelhon luottokitara.

LTD AJ-1 – back angle 2

Kun EMG käyttää sanaa ”vintage”, se viittaa ilmiselvästi uusien mikrofoniensa mehevään soundiin, eikä lähtötasoon. Tällä Metal Works -humbuckerilla nimittäin puhtia riittää rutkasti.

Joissakin tapauksissa joutuu varmaan säätämään kitaran volumea hieman pienemmälle, jotta vahvistin pysyisi täysin puhtaana:

Särösoundit taas vain hyötyvät tehokkaista ja täysin hiljaisista EMG-mikrofoneista:

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LTD EC-1000ET – full angle 2

LTD EC-1000ET on jämäkän tuntuinen Rock-keppi mukavalla keskivertopainolla.

Kaulassa on hivenen verran enemmän lihaa ja pyöreyttä kuin AJ-1-mallissa. Kiiltävän lakkauksen ja EC-1000ET:n hieman kaarevamman otelaudan ansiosta, nojaa tämä kitara enemmän vintagen suuntaan. Klassikkoainesta siis…

On mahdollista, että Evertune-talla lisää soittimelle vähän painoa, mutta selkeästi havaittavissa on, että erikoistallan ansiosta kitara soi erittäin puhtaasti ja pitkällä, tasaisella sustainella.

Vaikka olin säätänyt LTD:n pääsääntöisesti sellaiseksi, että kielten venytykset ja sormivibratot onnistuvat mahdollisimman helposti, oli mukava havaita, että vire pysyy myös rankalla kädellä soitettaessa horjumatta.

LTD EC-1000ET – back angle 1

Soundiltaan tämän kitaran EMG-setti on ehkä neutraalimpi kuin Andy James -mallin varustus, muttei missään nimessä huonompi:

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LTD AJ-1 – front angle 1

Vau, mikä soitin! LTD AJ-1 on mielestäni erinomainen esimerkki virtaviivaistetusta heavykitarasta. Andy James -malli tarjoaa loistavaa soitettavuutta ja soundia, asianmukaisen tuhdilla lähtötasolla.

LTD EC-1000ET – full angle 1

LTD EC-1000ET on erittäin tyylikäs ja laadukas alusta erikoiselle tallaratkaisulle. Evertune ei ole ehkä paras valinta, jos haluaa vaihtaa nopeasti yhdestä virityksestä toiseen, mutta tavallisessa yleiskäytössä se on suorastaan lyömätön. Tällä kitaralla virittäminen ei enää kuulu kitaristin jokapäiväisiin toimenpiteisiin!

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LTD AJ-1 Andy James Signature

• 986 €

LTD EC-1000ET Evertune

• 986 €

Maahantuoja: Musamaailma

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LTD AJ-1 Andy James Signature

Plussat:

+ kevyt paino

+ mattaviimeistely

+ soitettavuus

+ työnjälki

+ soundi

Miinukset:

– jotkut ehkä kaipaa tone-säätimen

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LTD EC-1000ET Evertune

Plussat:

+ Evertune-tallan toimivuus

+ klassinen ulkonäkö

+ soitettavuus

+ työnjälki

+ soundi

Miinukset:

– ei voi nopeasti vaihtaa virityksien välillä

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LTD AJ-1 – body angle 2

LTD EC-1000ET – body angle 2

Review: GJ2 Guitars

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GJ2 Guitars – Arete 4-Star + Glendora NLT + Glendora FR

American guitar guru Grover Jackson is a genuine living legend. When Jackson bought Wayne Charvel’s small shop (in 1978) nobody would have guessed that this man would single-handedly define two new types of electric guitars.

The – mostly bolt-on necked – Charvel guitars from the Eighties kicked off the Superstrat-phenomenon in earnest.

GJ2 Guitars – Concorde 4-Star + 5-Star

The original Jackson-branded instruments became famous as hiogh-octane Metal-guitars, which combined first class playability with bold graphic finishes. The most legendary Jacks model is surely the Concorde/RR, which Grover Jackson developed for Randy Rhoads.

Grover Jackson left Charvel/Jackson at the end of the 80s, and he went on to design instruments for a number of different brands, like Washburn for example. The Charvel and Jackson brands are nowadays part of the huge Fender conglomerate.

Grover Jackson has recently launched a new guitar-making outfit, together with (ex-Fender man) Jon Gold. GJ2 Guitars is a small Californian outfit which concentrates on small-run high-end guitar making.

Kitarablogi.com takes the first five instruments to arrive in Finland for a spin.

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Glendora NLT – full front

The GJ2 Glendora NLT (this version 1,717 €, incl. gigbag) is the most traditional guitar of our group of five.

The review sample’s body has been crafted from light ash (custom option) and finished in gloss Antique White. The basic version of the Glendora comes with a body made from either basswood, alder or poplar.

Glendora NLT – full back

The satin-finished maple neck joins the body in traditional fashion.

Glendora NLT – headstock

The Glendora’s headstock is a stylish variation on the classic six-in-a-row design.

The tuning machines are quality units from Gotoh.

Glendora NLT – vibrato

The contemporary two-post vibrato bridge is also a Gotoh design. The bar is simply pushed into the block and kept in place by an adjustable nylon collar.

Glendora NLT – body beauty

The rosewood fingerboad sports 22 gleaming jumbo-sized frets.

For his new GJ2 guitars Grover Jackson has perfected a new method of applying a compound radius to the fretboard. A compund radius means that the frets have a steeper curve near the nut and get shallower further up towards the body. This gives you the best of both worlds with easy open position chording and effortless string bending higher up the neck without string choking.

Glendora NLT – body angle

GJ2 Guitars use their own Habanero pickups as standard. Our review sample comes equipped with an HSS-setup, but you can order your Glendora with several different pickup combinations, like the vintage-style SSS or two humbuckers.

The controls comprise a five-way switch, as well as master volume and tone controls.

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Glendora FR – full front

The Glendora FR (this version 1,930 €, incl. lightweight case) is the Floyd Rose-equipped version of the Glendora.

Glendora FR – full back

Our review instrument comes with a standard body (basswood, alder or poplar), but apart from that the basic build is the same as on the Glendora NLT.

Glendora FR – headstock

One of the custom options available for a surcharge in the Glendora-range is a matching headcap, just like on this guitar.

Glendora FR – vibrato

GJ2 Guitars use only top-drawer quality parts, like the Schaller-made steel Floyd Rose bridge on the Glendora FR.

Glendora FR – body angle

It’s a Habanero-set of two single-coils and one humbucker for this guitar.

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Arete 4-Star – full front

The GJ2 Arete is one of Grover Jackson’s new designs based on a through-neck. There are three different basic versions of the Arete available, called 3-Star, 4-Star and 5-Star.

The Arete 4-Star (this version 2,231 €, incl. lightweight case) is the middle model, which is crafted almost completely from South-American mahogany. The neck uses three long strips side-by-side for added stiffness.

Arete 4-Star – full back

Two mahogany wings make up the streamlined body. The more affordable Arete 3-Star is made from sapele, while the more expensive 5-Star counterpart gives you several different body woods to choose from.

The Arete 4-Star comes in a hand-rubbed oil finish. The cover plates are made from aluminium.

Arete 4-Star – headstock

The headstock sports one of GJ2 Guitars’ special features – the Invisible Binding. This is achieved by routing out a shallow ”pool” on the headstock’s face, into which a large rosewood plate is then inlaid.

Arete 4-Star – vibrato

All Arete 4-Star guitars are vibrato-equipped – they come either with the same knife-edge bridge as on the Glendora NTL, or with a steel Floyd Rose as on our review instrument.

The black pickup bezels feature a structured surface.

Arete 4-Star – body beauty

The bound rosewood fingerboard sports Mini Bull’s Eye inlays, as well as 22 jumbo frets.

Arete 4-Star – body angle

The basic version of the Arete 4-Star is equipped with two Habanero humbuckers, but you can also order HSS- or HSH-configurations, should you so desire.

The three-way toggle is mounted between the master volume and tone controls. GJ2 Guitars’ cool Flying Saucer-knobs not only look great, but are also easy to adjust.

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Concorde 4-Star – full front

A through-neck crafted from three side-by-side strips of maple flanked by basswood wings – this is the basic recipe behind the GJ2 Concorde 4-Star (this version 2,768 €, including hard case).

Concorde 4-Star – full back

All Concorde-models feature a full-length, 64.8 cm (25.5-inch) scale.

The Concorde 4-Star is available in five gloss finishes – Jet Black, Stark White, Antique White, Sports Car Red and GJ Blue – and either a Floyd Rose vibrato (as on the review sample) or a Gotoh hardtail bridge.

Concorde 4-Star – headstock

The hardware on a Concorde 4-Star is chrome-plated.

The fretboard is equipped with 22 jumbo frets and pearloid inlays.

Concorde 4-Star – vibrato

The volume knob is easy to reach with your pinkie.

Concorde 4-Star – body beauty

Two Hanbanero humbuckers, one master volume, one master tone control and a three-way toggle – what more does a Rock God need?

Concorde 4-Star – body angle

The placement of the output jack is a nifty little feature.

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Concorde 5-Star – full front

This is GJ2 Guitars’ ultimate Heavy Dream Machine:

The Concorde 5-Star (this version 4,103 €, incl. hard case) can be had – for an additional charge – finished in a custom finish, such as the Randy Rhoads-style pinstripe graphics on this guitar.

Concorde 5-Star – full back

The back plates of the Concorde-models are made of aluminium.

Concorde 5-Star – headstock

The Concorde 5-Star sports gold-coloured hardware. Our review sample had optional, locking Gotoh-tuners installed.

Ebony is the material of choice for the bound fretboard, as well as the headstock inlay.

Concorde 5-Star – vibrato

Here’s a closer look at the golden Floyd Rose bridge.

Concorde 5-Star – body beauty

The inlays on the Concorde 5-Star are genuine pearl.

Concorde 5-Star – electronics

…and here’s a little peek into the very clean control cavity.

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Glendora NLT – beauty shot

The feather-light ash-bodied GJ2 Glendora NLT is a fantastic S-style guitar for the connoisseur!

The Glendora’s playability is first-rate, and the guitar’s satin-finished neck, with its oval C-profile feels like an old friend.

Played acoustically there’s a hefty dose of woody dryness and sparkling top end, no doubt thanks to the ash body. The Glendora NLT’s displays an open voice with a nicely clucking attack.

I have only good things to say about GJ2’s Habanero pickups – they sound great, they are dynamically rich and the whole set is well balanced in terms of tone and output level.

Here’s a short clip played using the neck pickup:

Glendora FR – beauty shot

The workmanship, feel and playability of the Glendora FR is the same as in the NLT-version – simply fantastic!

Acoustically there’s maybe a tad more roundness in the mid-range and a slightly fatter bass on display in the Glendora FR, which is probably a result of its standard body. On the other hand, the steel Floyd Rose adds its own sprinkling of presence bite into the mix.

Because the bridge humbucker isn’t overpowering the guitar’s single-coils, there’s plenty of fun to be had using the second switch position (bridge and middle):

Arete 4-Star – beauty shot

The lightweight GJ2 Arete 4-Star is a very comfortable guitar to hold and play.

Thanks to its hand-rubbed oil finish the Arete feels very organic. If you’re a fan of nice wood, then this is the guitar for you.

The neck profile has a nice bit of shoulders to its slightly flattened D-section, and fills out your hand rather nicely.

The Arete’s acoustic voice is warm and open.

GJ2’s Habanera humbuckers clearly follow the boutique-vintage route, which puts tone and dynamics front and centre, instead of sheer brute force. Thanks to this it is very easy to coax a whole trainload of different tasty humbucker-tones from the Arete 4-Star, which will satisfy both the traditionalist, as well as modern Rock- and Fusion-guitarists.

The Flying Saucer knobs have a very positive grip, allowing you to adjust the guitar’s controls precisely.

Here’s a clip I recorded using the bridge humbucker:

Concorde 4-Star – beauty shot

It may come as a surprise to a newbie, but the Concorde 4-Star actually feels extremely comfortable hanging suspended from a guitar strap. Sure, the visuals are very angular, but the feel isn’t.

On the other hand I should stress that the Concorde most probably isn’t the right choice as a couch guitar, because it won’t really stay in your lap. And one more thing – beware of the sharp top horn! But as long as you know this guitar’s boundaries, your in for a fun ride with a light and well-balanced studio- and stage-guitar.

The neck has a chunky D-profile, which is good news for tone and sustain.

The Concorde’s long scale, its maple through-neck, as well as the Floyd Rose system give this guitar a clearer, more precise – and in a positive way – more neutral acoustic tone, when compared, say, to a Gibson Flying V.

The guitar’s Habanero humbuckers do a fantastic job in getting the Concorde 4-Star’s precise attack and growling mid-range across.

The neck ’bucker displays a fluid, flute-like timbre, without any sign of muddiness:

Concorde 5-Star – body angle

In terms of playablity and ergonomics there’s not much to divide the Concorden 5-Star from its 4-Star sibling.

But there are some clear differences in tone, most probably due to the posher 5-Star-version’s ebony ’board. The Concorde 5-Star has some added presence bite and a tad more twang in its attack, resulting in an even livelier tone.

Here’s a clip played using the bridge humbucker:

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What a great thing that Grover Jackson isn’t content with resting on his (considerable) laurels. These new instruments build upon Mr Jackson’s rich past and vast knowledge, while managing to stay foward-facing and fresh.

The sum of this knowledge and experience, coupled with new building techniques and GJ2 Guitars’ obvious attention to detail, result in a range of instruments I would call the best guitars Grover Jackson has ever made.

This type of quality naturally comes at a price. But in light of GJ2’s comparatively small production runs and the sheer quality on offer here, you truly get what you paid for – boutique quality, made in the USA.

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GJ2 Guitars

Glendora NLT – starting from 1,368 €

Glendora FR – starting from 1,541 €

Arete 4-Star – starting from 2,594 €

Concorde 4-Star – starting from 2,779 €

Concorde 5-Star – starting from 3,335 €

Finnish distributor: Musamaailma

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Pros:

+ genuine boutique quality

+ playability

+ sound

+ many custom options

+ GJ2 Habanero-pickups

Cons:

– Concorde-models’ G&G-cases weigh a ton

GJ2 Guitars – logo

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