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Demo Track
Cover version of ”Big Love” by Fleetwood Mac (Lindsey Buckingham).
Demo track recorded using all three instruments plugged straight into a Focusrite Saffire 6 USB sound card.
Lisätiedot: Musamaailma
The guitar maker Tokai is known worldwide for its high-quality versions of classic vintage guitars, and the instruments are loved and played by many.
But now there’s an interesting new model, devised by Tokai Guitars Nordic, called the Tokai TST-50-FS Modern (current price in Finland: 1,650 €; hard case included). This is an S-type guitar for the player who wants classic looks combined with modern features.
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Tokai’s brand-new TST-50-FS Modern is available in three different versions, which share the same basic build and features, but which differ in terms of finish and pickup choice.
The Modern is available in a traditional Three-Tone Sunburst …
… a beautiful Sienna Sunburst …
… and in a cool, dark Ebony Transparent.
The TST-50-FS’ body is made from two pieces of beautiful swamp ash, with a – near invisible – centre glue line.
The new model makes it a jiffy to adjust the truss rod by moving the adjustment to the headstock side of the neck.
The TST-50-FS Modern sports a high-quality set of Gotoh Magnum Lock locking machine heads, resulting in lightning-fast string changes and rock steady tuning stability.
The neck comes with a thin satin finish.
We find a rosewood fretboard with a modern radius (9.5″), as well as 22 gleaming medium jumbo-sized frets (Dunlop 6105), making string bending much easier than on a vintage guitar.
The bridge on the Tokai TST-50-FS Modern represents Gotoh’s view of the perfect updated Strat-style vibrato.
Gotoh’s 510T-SF bridge is a two-post affair made of steel. The height-adjustable posts can be locked inside the threaded ferrules to increase vibrational transfer into the body.
In terms of its pickups, the Three-Tone Sunburst version is the most traditional of the new trio:
The neck and middle pickups are genuine single coils (Seymour Duncan SSL-1), while the bridge humbucker is Duncan’s vintage-voiced Model ’59 (SH-1B Zebra).
The Sienna Sunburst-variant is completely noise-free thanks to its stacked-coil neck and middle pickups (Seymour Duncan STK-S4; aka Classic Stack Plus). The bridge unit is a hotter-than vintage, covered JB (SH-4).
The hottest guitar in our trio is the TST-50-FS in Ebony Transparent, which comes with a pair of Hot Stack Plus pickups (STK-S7) and the sheer force of nature that is Seymour Duncan’s SH-14 Custom 5 humbucker.
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The Tokai TST-50-FS Modern is part of the brand’s Made-in-Japan Premium Series, and all three instruments are perfect examples of the excellent workmanship Tokai has to offer.
The new model comes with a rounded neck profile (Tokai call it ”Thin U”) that feels and plays like a dream. The modern fingerboard radius and excellent fretwork make string choking a thing of the past.
The vibrato feels very precise and stays in tune far better than any vintage-style vibrato bridge ever could.
The ash body, locking tuners and steel bridge give the TST-50-FS Modern a sparkling unplugged voice with a long and clear sustain.
Played with an amp the differences between the three versions become very clear:
The Three-Tone Sunburst version gives you the tones you’d expect from a factory-modded vintage S-type.
Thanks to the vintage-style single coils – as well as the PAF-inspired bridge humbucker – you get a lot of clarity, dynamics and spank.
I’d call the FS Modern’s Sienna Sunburst variant the ”LA Studio model”, which will deal with any musical situation by giving you a first-rate West Coast sound.
The stacked coil pickups are free from hum and buzz, and they give you a fine, slightly ”pre-compressed” sound that sits well in any mix. The JB-humbucker offers just the right amount of ”push” to complement the neck and middle pickups perfectly.
If you look for an S-style electric that will take to high gain settings like the proverbial duck to water, you need look no further. The TST-50-FS Modern in Ebony Transparent simply loves gain and distortion, while still making a great figure when it comes to clean tones.
This is noise-free high gain heaven with a healthy dose of bottom end punch and a chunky mid-range.
The demo track features the trio in the following order: Sienna Sunburst –> Ebony Transparent –> Three-Tone Sunburst. Each guitar plays both the rhythm as well as the lead parts of its section:
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The new Tokai TST-50-FS Modern really made a big impression on me.
This is a fantastic alternative to the traditional, vintage-flavoured Tokai models. Both the playability and sounds this trio has to offer are top-notch, and I’m sure you will find your favourite modern S-type guitar from one of the three alternatives.
Tokai’s TST-50-FS Modern offers you custom shop quality at a very fair price.
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Tokai TST-50-FS Modern
1,650 € (hard case included)
Distributor: Musamaailma
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Pros:
+ value-for-money
+ workmanship
+ three different pickup configurations
+ playability
+ sound
Kitaravalmistaja Tokai tunnetaan laadukkaista klassikkokitaroiden uusintapainoksista, ja soittimet ovat löytäneet tiensä monen vintage-fanin käsiin.
Tokai Guitars Nordicin kehittämä uutuusmalli Tokai TST-50-FS Modern (1.650 €, sis. kova laukku) on sen sijaan suunnattu kitaristeille, jotka haluavat tuttua Tokai-laatua nykyaikaisilla ominaisuuksilla.
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Tokai TST-50-FS Modern on saatavilla kolmessa eri versiossa, joiden rakenteelliset ominaisuudet ovat samat, mutta jotka eroavat toisistaan värityksen ja mikrofonien suhteen.
Kitaran värivaihtoehtoina on Three-Tone Sunburst …
… vaalea Sienna Sunburst …
… ja tumma Ebony Transparent.
Kaikissa versioissa runko on veistetty kuvankauniista suosaarnista. Rungot on koottu kahdesta saarnipalasta, joiden (käytännössä näkymätön) liimasauma kulkee siististi keskeltä runkoa.
Kaularaudan säätäminen on TST-50-FS-mallissa todella helppoa, koska säätöruuvi on sijoitettu viritinlavan puolelle.
Tässä mallissa on erittäin laadukkaat Gotoh Magnum Lock -lukkovirittimet – kieltenvaihto sujuu nopeasti ja vire pysyy.
Kaulassa on ohut mattapintainen viimeistely.
Otelaudan radius on selvästi vintagea loivempi, ja ruusupuuhun on siististi asennettu 22 medium jumbo -kokoista nauhaa (Dunlop 6105), minkä ansiosta venytykset vaativat vähemmän voimaa.
Tokai TST-50-FS Modernin talla on huippulaadukas, Gotohin valmistama modernisoitu versio Strato-vibratallasta.
Gotoh 510T-SF -talla on valmistettu teräksestä ja se on veitsenterälaakeroitu. Vibraton tapit lukitaan kierreholkkeihinsa, mikä parantaa tallan sustainia.
Three-Tone Sunburst -version mikrofonitarjonta on tästä kolmikosta se perinteisin:
Kaula- ja keskimikki ovat aitoja yksikelaisia (Seymour Duncan SSL-1) ja talla-asemasta löytyy Duncanin ’59-humbucker (SH-1B Zebra).
Sienna Sunburstin mikrofonivarustus on täysin hurinaton, sillä kaula- ja keskimikrofonit ovat kahdella päällekkäisellä kelalla varustettuja Seymour Duncan STK-S4 -mikrofoneja (Classic Stack Plus), kun taas tallahumbuckerina toimii vintagea kuumempi JB-malli (SH-4 JB).
Malleista lähtöteholtaan kuumin on Ebony Transparent -versio, joka yhdistää tehokkaat Hot Stack Plus -mikrofonit (STK-S7) Seymour Duncan SH-14 Custom 5 -humbuckerin tarjoamaan täyslaidalliseen.
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Tokai TST-50-FS Modern kuuluu valmistajan japanilaiseen Premium-sarjaan, ja testissä käynyt kolmikko on – jälleen kerran – täydellinen esimerkki japanilaisesta, erinomaisesta soitinrakennusosaamisesta.
Uutuusmallin pyöreä, mutta suhteellisen ohut kaulaprofiili tuntuu erittäin nopealta, ja nykyaikainen nauhoitus ja otelautaradius luovat kevyen soittotuntuman.
Vibratalla toimii sulavasti ja erittäin tarkasti.
Saarnirungon, lukkovirittimien ja teräsvibran ansiosta TST-50-FS Modernin akustinen ääni on hyvin raikas ja pitkällä sustainilla höystetty.
Versioiden väliset erot tulevat esiin vahvistimen kautta soitettaessa:
Three-Tone Sunburst -versio antaa soittajalle aimon annoksen kustomoidun vintage-kitaran hehkua.
Aitojen yksikelaisten mikkien, sekä PAF-tyylisen tallahumbuckerin ansiosta vahvistettu ääni on tuore ja erittäin dynaaminen. Pletraniskujen naksahteleva luonne tuo väkisinkin mieleen vintage-Straton.
Kutsuisin 50-FS Modernin Sienna Sunburst -kitaraa LA Studio -malliksi, jolla hoituu sessio kuin sessio aidolla länsirannikon soundilla.
Stacked coil -mikrofonit eivät hurise, ja niillä on oikein mainio, hieman ”esikompressoitu” soundi, jonka saa mukavasti istutettua miksaukseen. JB-humbucker on sekä teholtaan että soundiltaan oiva valinta näiden ”yksikelaisten” rinnalle.
Jos etsit S-tyylistä kitaraa, joka tarjoaa loistavia high gain -särösoundeja, mutta joka samalla kuulostaa myös mehevältä puhtaasti soitettuna, Ebony Transparent on sinulle oikea valinta.
Tämä kitara tarjoaa hurinatonta high gain -meinikiä tuhdilla alakerralla ja herkullisella keskialueella.
Demobiisissä testikitarat kuullaan järjestyksessä Sienna Sunburst –> Ebony Transparent –> Three-Tone Sunburst. Samalla kitaralla soitetaan aina sekä komppiosuudet että soolo:
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Minun mielestäni Tokai TST-50-FS Modern lunastaa lupauksensa täydellisesti ja avokätisesti.
Uutuusmalli on huippulaadukas, nykyaikainen vaihtoehto vintage-tyylisille Tokai-kitaroille. Soittotuntuma ja soundi ovat enemmän kuin kohdillaan, ja jokainen meistä löytää varmasti kolmesta vaihtoehdoista sen itselleen sopivan.
TST-50-FS Modern tarjoaa custom shop -tasoista laatua reiluun hintaan.
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Tokai TST-50-FS Modern
1.650 € (kova laukku kuuluu hintaan)
Maahantuoja: Musamaailma
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Plussat:
+ hinta-laatu-suhde
+ työnjälki
+ kolme mikrofonivaihtoehtoa
+ soitettavuus
+ soundi
Tokai TST-50-FS Modern
• Premium Series model
• Made in Japan
• Premium swamp ash body (two-piece, centre-joined)
• Rosewood fingerboard with 9.5″ radius
• 22 Dunlop 6105 frets
• Locking Gotoh tuners
• Two-post Gotoh vibrato
• Sienna Sunburst version: 2 x Seymour Duncan STK-S4 + TB-4
• Ebony Transparent version: 2 x STK-S7 + TB-14
• Three-Tone Sunburst version: 2 x SSL-1 + ’59
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The demo track has the three guitars in the order Sienna Sunburst –> Ebony Transparent –> Three-Tone Sunburst.
Uusi Tokai TST-50-FS on tällä hetkellä saatavilla kolmella eri mikrofonivarustuksilla:
• Three-Tone Sunburst -versiossa on kaksi yksikelaista SSL-1-mikrofonia, sekä Seymour Duncan ’59 -humbucker.
• Sienna Sunburst -mallissa on kaksi SD Classic Stack Plus -mikrofonia (hurinattomia, stacked-coil mikrofonia), sekä JB-humbucker metallikuorella.
• Ebony Transparent -kitarassa taas on kaksi Duncanin Vintage Hot Stack -mikrofonia (hurinattomia) ja tallamikrofonina toimii saman firman Custom 5 -humbucker.
Kitarablogin testi on tulossa lähiaikoina!
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The new Tokai TST-50-FS is currently available with three different pickup configurations:
• The Three-Tone Sunburst version has a pair of SSL-1 single-coils and a Seymour Duncan ’59 humbucker.
• The Sienna Sunburst model comes with two noiseless SD Classic Stack Plus pickups, as well as a covered JB model.
• The Ebony Transparent guitar sports two noiseless Duncan Vintage Hot Stacks and a Custom 5 in the bridge position.
Watch this space for a full review in the very near future!
Bogner Amplification has recently added a new member to its Goldfinger-family of guitar amps. In addition to the two-channel Goldfinger 45, there’s now also a single-channel amplifier available, called the Goldfinger 54 Phi.
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The basic idea behind the Bogner Goldfinger 54 Phi combo (current price in Finland: 3.091 €) was to develop the most versatile single-channel valve amp possible.
The 54 Phi’s starting point was the Goldfinger 45’s clean Alpha-channel. The new model is concentrating mainly on clean tones, and it is meant as the ideal combo for guitarists who achieve most of their sounds with the help of effect pedals.
In its combo version – the 54 Phi is also available as an amp head – weighs in at about 26 kilos.
The cabinet is made from pine ply and it sports an open back construction.
Bogner’s new tube combo comes equipped with a Celestion G12M-65 Creamback speaker, which combines a modern power rating with a classic, Greenback-type tonality.
A four-button footswitch unit is sold with the GF 54 Phi, and it gives us some hints regarding the combo’s versatility and features.
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Bogner’s Goldfinger Phi offers a lot of scope for adjustment, so that every guitarist can dial in the sound he or she wants. Due to its versatility the 54 Phi needs you to get familiar with all its features, before plugging your guitar in and wailing away.
Actually, you should start your sonic journey with this Bogner’s back panel! The GF 54 Phi comes with a slightly unusual split power amp that employs two pairs of power amp valves – a pair of 6V6s and a pair of 6L6s. Each pair can be switched on or off individually, while the front panel’s Hi/Low-switch makes it possible to use only a single power amp tube from each pair, in effect halving the combo’s output power. By using the Hi/Low-switch and the power amp switches you can choose from six power modes. The lowest alternative lets the Goldfinger Phi run at approximately nine watts (6V6, Low), while the highest power mode (6L6+6V6, Hi) will give you the combo’s full 66 watts of output.
As were talking about a valve amp here, choosing between pairs (or single) power amp tubes doesn’t only have a bearing on the 54’s power rating, but it also affects the amp’s behaviour, especially when it comes to clean headroom and power amp compression (sag). You need to find the ”right” tube and Hi/Low-switch mix for your own, personal tone.
The Gain knob is used to set the preamp gain, while Loudness is what Bogner calls their master volume controls. There are two signal boosts implemented in the Goldfinger Phi’s preamp, but their are placed at different points in the signal chain, which makes them work and sound differently. The adjustable Boost booster is placed in front of the Gain control, even making it possible to achieve some distortion, if necessary. Solo, in turn, is a fixed booster that sits right at the end of the preamp.
Bogner’s GF 54 Phi offers you two different EQ-configurations. You can choose from Bogner’s own, modern tone stack or switch to a vintage Baxandall EQ. Originally, the Baxandall circuit was designed for Hi-Fi equipment, but it found its way into some guitar amps from the 1950s and 60s. Due to the way a Bax EQ works, there’s a perceivable drop in volume when you switch over without readjusting the EQ controls.
The EQ-section is complemented by a separate Presence control, as well as two Expand-switches (one adding bottom end, the other treble).
It may come as a shock to some valve purists, but Reinhold Bogner has deliberately chosen a digital reverb unit for his 54 Phi. In his view this digital unit offers more depth of sound and lushness than the type of spring tray he’d be able to fit into the 54 Phi combo. The reverb type features a little bit of chorus-style modulation to liven things up even further.
I’ve moaned about this before, and I’ll say it again: I’m not the biggest fan of Bogner’s downward-facing back panels. Unless you know the exact position of all connectors and switches by heart, you are forced to lie on your back to make sense of it all.
Be that as it may, the Bogner Goldfinger 54 Phi’s back panel gives you a wide array of different options for getting the most from your combo.
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I was only given a weekend to test Bogner’s new baby, which is why I didn’t have enough time to record more audio demos. I still managed to come up with two, stylistically rather different demo songs.
The first track was recorded with the 54 Phi combo running in in 9 watts power mode, which made it possible to achieve overdriven sounds without the aid of pedals, simply by running hot humbucking pickups into the Goldfinger. The lead guitar is a Gibson Les Paul Junior with the tone knob turned down halfway, while all backwards guitar tracks were played on a Gibson Melody Maker SG. I recorded the combo (in both demo songs) with a Shure SM57:
The second demo track was recorded with the Bogner running at full tilt (66 W), and with a Boss SD-1 overdrive and a Joyo JF-37 chorus pedal in front of the combo. All guitar parts are played on a Flaxwood MTQ Hybrid guitar with a neck humbucker and a Telecaster-type single coil in the bridge position:
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Bogner’s Goldfinger 54 Phi is a prime example of the versatility and quality of sound a well-designed, single-channel valve amp can offer.
This is a combo for the sound aesthete, who wants to build a strong foundation for his or her sound, regardless of whether this tone comes from just the fingers or a range of effect pedals.
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Bogner Goldfinger Phi 54
3.091 €
Finnish distributor: Musamaailma
Pros:
+ workmanship
+ versatile preamp
+ switchable power amp configuration
+ sound
Uusi Fender American Elite -bassosarja on nyt saatavilla.
American Elite Precision Bass -mallia tarjotaan ainoastaan nelikielisenä.
Sekä American Elite Jazz -basso…
…että American Elite Dimension Bass -malli ovat saatavilla myös viisikielisinä.
Uutuussarjan kauloissa on erikoinen kaulaprofiili, joka muuttuu C-profiilista alanauhoissa leveämmäksi D-muodoksi lähempänä runkoa.
American Elite -sarjan bassoissa kaularaudan säätö on tehty helpoksi Music Man -tyylisellä säätöpyörällä.
Uudet, neljännän sukupolven Noiseless-mikrofonit löytyy ainoastaan American Elite -bassoissa.
Bassojen aktiivielektroniikka toimii 18 voltin voimalla.
Ensi viikonloppuna pidetään jälleen Fuzz Guitar Show -tapahtuma Ruotsin Göteborgissa.
Fuzz Guitar Showssa voi kokeilla maahantuojien uutuudet, tavata soitinrakentajia ja vahvistintekijää, sekä ostaa kitaranosia tai vintage-soittimia.
Myös tänä vuonna Fuzzissa nähdään suomalaisia edustajia – mukana ovat mm. Tokai Guitars Nordic/Musamaailma, Ruokangas Guitars, Viitasaari Guitars, Vuorensaku Instruments ja Mad Professor.
Löydät Kitarablogin kuvat viime vuoden tapahtumasta TÄSSÄ.
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