Review: Four LP Standard Style Guitars

Alkuperäinen, laajempi suomenkielinen juttu on luettavissa TÄÄLTÄ.

Thanks to technological progress and cheap Asian labour, you can already get a very decent Les Paul Standard copy these days for somewhere between 500 and 700 euros.

Here are four of those guitars presented in alphabetical order. I tried to obtain one of the new Epiphone-models from their Finnish distributor for this round-up, but to no avail.

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GrassRoots G-LP-60S Honey Sunburst

• Current price in Finland: 559, – (incl. gig bag)

• Distributor: Musamaailma

GrassRoots is a brand in the ESP Guitars family, and concentrates on traditional electric guitars and basses. Even though the LP-60S is the least expensive guitar in this round-up, it comes in its own, high-quality gig bag. The finish on our review sample is called Honey Sunburst.

The G-LP-60S’ body is made from four side-by-side pieces of mahogany, with a top crafted from maple. The flame maple veneer on the curved top looks gorgeous.

The set mahogany neck is one piece of mahogany (!), except for the top half of the headstock. The bound fretboard has been made from beautiful pau ferro, while the LP-60S’ top nut is genuine bovine bone. The fretwork looks very decent.

The machine heads are nice copies of vintage Kluson tuners. The GrassRoots’ bridge is a modernised version of a Tune-o-matic, sporting six separate small metal clips to keep the bridge saddles in place.

The LP-60S’ pickups are GrassRoots’ own GH-1G humbuckers with metal covers. Looking beneath the electronics cavity covers, we found a closed three-way toggle switch, as well as four small pots and very clean soldering.

The first thing I noticed when I picked up the GrassRoots guitar is how light it is. I don’t know if GrassRoots uses any type of weight relief on the LP-60S, but the review sample’s weight clocks in at only 3.3 kgs.

The neck profile is a very ”fast” version of Gibson’s famous 60s neck, meaning a nicely rounded, but relatively slim C-shape. Musamaailma’s in-house guitar technician has expertly set up the review guitar, resulting in a buzz-free action of only 1.6 mm (bass-E) and 1.5 mm (treble-e).

I’d describe the GrassRoots humbuckers as vintage-powered, meaning they give a lot of scope for dynamics and a nice, rounded top end response. The neck ’bucker is flutey, while the bridge pickup offers ample kick and mid-range push. The GrassRoots G-LP-60S is a versatile LP Standard style guitar, which sounds great, offers a comfortably slender neck profile, and which doesn’t weigh a tonne.

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Green LP STD Lemon Drop

• Current price in Finland: 498, –

• Distributor: Nordsound

Green Guitars is a Swedish brand with Far Eastern production to keep the prices musician-friendly. Green’s LP STD model comes in a fetching Lemon Drop finish, as well as sporting a few features that differ from standard vintage-fare.

The Green’s body uses three pieces of very lively mahogany. The arched maple top has been spruced up with a tiger striped flame maple veneer. Green’s LP STD sports a deeper cutaway than its famous forebear, resulting in a more pointed horn.

The set-in neck is carved out of three side-by-side strips of mahogany, which – in all probability – should add a little stiffness to the neck. The neck wrist is protected from headstock breaks by a volute.

The Green features a set of modern tuning machines, as well as an up-to-date version of the Tune-o-matic bridge.

The bound rosewood fretboard comes with 22 well-installed medium-size frets. The nut is made from a cream coloured plastic.

Green’s LP STAD model sports a pair of open, zebra-coloured humbuckers. The electronics comprise a closed three-way toggle, as well as four small diameter pots. The soldering looks nice and clean.

Green’s neck profile is a smidgen bigger than that of the GrassRoots – I’d say the profile is somewhere halfway between a ’59 and a ’60 Gibson. The set-up on our test sample was very good, with the action clocking in at 1.7 mm (bass-E) and 1.5 mm (treble-e), without any fret buzz.

I’d describe the Green’s humbuckers as ”hot vintage”. This guitar has a big sound with a nice, fresh dose of treble. If you’re into Slash, this is the guitar I’d try out first.

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Tokai Guitars ALS-62 Honey Burst

• Current price in Finland: 659, –

• Distributor: Tokai Guitars Nordic/Musamaailma

Tokai Guitars must be the most famous ”copy brand” in the world, whose instruments caused Fender and Gibson to do something about their sagging quality control back in the 1980s.

In addition to their top-of-the-line Japanese LS-models, Tokai also offers more affordable Chinese versions under the ALS-banner. The flame maple veneer – finished in a fetching Honey Burst – looks stunning, deep and chatoyant.

The Tokai ALS-62’s body uses four pieces of mahogany and a veneered arched maple top. In this series Tokai uses hard rock maple for their guitar necks – in this case we’re talking about a three-piece affair of neck, headstock, and neck heel.

Tokai uses jatoba as the material for its bound fretboard. We find 22 expertly-finished, medium-sized frets, as well as a genuine bone nut. The bridge is a fine version of the vintage Tune-o-matic, with a single metal bracket keeping the saddles in place. The bridge and stopbar ferrules have been sunk into the top wood for a very clean look.

The Tokai ALS-62 sports a pair of covered LSC-F-humbuckers. The electronics comprise a closed three-way toggle switch, plus four small pots. The soldering is very clean.

Tokai’s neck profile is my personal favourite, I must confess. It’s a rounded, not-too-fat 1959-style neck profile, offering your fretting had a good amount of ”meat” without too much bulk. The action is buzz-free, while being comfortably low at 1.6 mm (bass-E) and 1.4 mm (treble-e).

The Tokai ALS-62 sounds like ”the real thing”, leaving nothing to be desired. The neck pickup is creamy and flutey, while the bridge unit adds the right amount of grit to proceedings. The Tommi’s output is vintage-to-medium. This is a gorgeous guitar with a versatile sound to boot.

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Vintage V100PGM Lemon Drop

• Current price in Finland: 576, –

• Distributor: Nordsound

Vintage Brand’s V100PGM Lemon Drop is an ”unofficial” signature guitar, offering you an affordable shot at the legendary LP played by three legends in a row – Peter Green, Gary Moore, and Kirk Hammett. The original guitar’s burst has long faded into an ”unburst” lemon drop shade, which is why the Vintage V100PGM Lemon Drop was first only available in that shade. Our test sample, on the other had, is Vintage’s view of what the guitar must have looked like brand new. So, here we have a beautiful cherry sunburst-coloured guitar, that is called ”Lemon Burst”, go figure.

Trev Wilkinson, who has designed this guitar for Vintage Brand, has added a few nifty updates to prevent the V100PGM from being a straight copy instrument:

The V100PGM’s mahogany body (three pieces) has a rounder bass-side shoulder and a much deeper cutaway that Gibson’s original. The top’s flame maple veneer sports extremely pretty and deep figuring.

The guitar’s neck – crafted from three side-by-side pieces of mahogany – is glued into the body by means of an asymmetrical neck joint, making excursions to the dusty end more comfortable.

The Vintage’s fingerboard is made from a trademarked material, called ”Lignum Rosa”, which translates from Latin as ”wood of the rose”. I can’t tell you what it actually is, but it looks and feels great, and it is home to 22 medium-sized, well-dressed frets. The top nut is Graph Tech’s NuBone material, which is a man-made alternative to ivory.

Surprisingly, the V100PGM comes with a set of Grover Deluxe vintage-type machine heads, instead of the Wilkinsons I’d have expected. The bridge on this Vintage is a Wilkinson-version of a modern Tune-o-matic.

The V100PGM comes with a pair of Wilkinson WVC-humbuckers. Like on the original, the neck unit has been installed ”upside down”, meaning with the adjustable pole screws facing the bridge, and with the wires hooked up in reverse, too. Gary Moore swapped the bridge pickup’s controls from the original bell-type to the early-Sixties ”reflectors”, because he wanted to be able to find the correct control without having to look at the guitar. This has been copied on the Vintage as well.

The V100PGM uses a closed three-way toggle switch and four small diameter pots. The soldering looks very decent.

The Vintage V100PGM comes with a slightly flatter version of a Gibson 60s C-neck, so we’re talking about a very ”fast” neck feel. The review guitars comfortable set-up gives you plenty of acoustic dynamic range at 1.9 mm (bass-E) and 1.7 mm (treble-e).

Thanks to their moderate output the Wilkinson-humbuckers offer plenty of dynamics and openness, with a nice, bell-like treble response. The neck pickup is warm, while the bridge unit sounds brighter.

On the Vintage V100PGM the three-way switch’s middle position opens the door to a wide spectrum of different tones, which differ from the usual LP middle-position sounds. With both volume controls turned up fully, you get a very wiry and bright sound, due to the out-of-phase pickups. Turning one of the volume controls down by a little, gradually adds bottom end and mid-range width. Depending on which volume knob is turned down, the resulting sounds will differ somewhat. Experimentation is allowed and will be rewarded with many different shadings. I think it’s fantastic that Vintage Brand offers somethign a bit out of the ordinary at this affordable price point.

09/10/2023 0

Neljä LP Standard -tyylistä kitaraa – nyt Rockway-blogissa

Voit lukea testin TÄÄLLÄ.

06/09/2023 0

Tulossa Rockway-blogiin: Neljä LP Standard -tyylistä kitaraa

Here’s a demo song of four LP Standard style guitars based on ZZ Top’s classic track ”Stages”.
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The demoed guitars are:
• GrassRoots G-LP-60S
• Green Guitars LP Standard Lemon Drop
• Tokai Guitars ALS-62
• Vintage ReIssued Series V100PGM
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• Effects used: Dunlop CryBaby Mini, Ibanez Fuzz 850 Mini, Mad Professor Simble OD, Joyo Analog Chorus, EHX Memory Toy, EHX Germanium 4 Big Muff Pi
• Amp used: Bluetone Black Prince Reverb
• Mic used: Shure SM7B
• Preamp used: Cranborne Audio Camden EC2

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13/08/2023 0

Review: Fender American Standard Stratocaster HSS Shawbucker

”What – yet another Stratocaster model!? Who needs another Strat? Yeah, man, I’ve noticed there’s a ’bucker at the bridge position, but that’s been done before, hasn’t it!”

True, but this is a new American Standard model you should definitely try out, because the guys at Fender R&D have come up with a couple of nifty improvements that haven’t been available on HSS-Strats thus far.

”A Shaw-what?”

Fender calls its newest bridge humbucker the Shawbucker in honour of the man who designed it, Tim Shaw. Mr Shaw is a genuine living legend, and held in high esteem amongst people in the know. In the 1970s and 80s he worked for Gibson, and helped to turn around the company’s flagging fortunes and decline in quality. As the resident electronic guru he played a pivotal role during the design of models, such as the Gibson Les Paul Heritage 80, coming up with the first reissue of the original PAF-humbucker. This pickup is still in production, now known as the ’57 Classic. Later, Shaw moved on to Guild, and from there to Fender Musical Instruments.

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Most of the improvements in the Fender American Standard Stratocaster HSS Shawbucker (current price in Finland approx. 1,600 €) centre around the electronic side of things.

In terms of its basic build the model continues within the time-tested parameters of the American Standard product line.

The Shawbucker Strat is built using a solid ash body and a bolt-on maple neck.

The neck profile is a friendly, modern ”C”, with the rosewood fingerboards flatter-than-vintage radius of 9.5″ and the 22 jumbo-sized frets further contributing to a contemporary playing feel.

The two-way truss rod is adjusted from the headstock.

Fender’s Deluxe machine heads work smoothly and accurately.

The American Standard Shawbucker also sports the company’s patented neck angle adjustment.

The current American Standard vibrato bridge combines a modern, knife-edge, twin-post base plate with vintage-type bridge saddles made from folded steel.

Our review sample came with a slightly steep bridge tip up, which I adjusted back to factory specs in no time, using the correct Phillips head screwdrivers.

The HSS Shawbucker features a well-balanced set of pickups:

A pair of Custom Shop Fat ’50s single coils have been selected for neck and middle pickup duties. The middle pickup is RW/RP, making position four on the five-way switch humbucking.

The Shawbucker is a moderate-output, vintage-voiced humbucker with a PAF-type tone.

The control set-up looks pretty standard, but there’s more to the Shawbucker Strat than meets the eye:

Single coil pickups and humbuckers usually require different types of potentiometers to function satisfactorily. Single coils tend to sound best with 250k controls, as they attenuate some of the sharpest, most biting trebles in the signal. Humbuckers, on the other hand, tend to work better with higher resistance values – 500k, usually – which keep this pickup type’s softer top end intact. Tone control circuits usually also employ differently valued capacitors for single coils and humbuckers, respectively.

Most HSS- and HSH-loaded guitars suffer from the compromises shared control pots and tone circuits entail, when mixing the different pickup types. As a result, you either end up with muddy-sounding humbuckers or uncomfortably scratchy single coils.

The genius of the Shawbucker Strat lies in the two stacked potentiometers it uses. The same pot shaft simultaneously turns both a 250k and a 500k pot stacked on top of each other. The Shawbucker Stratocaster employs these stacked pots for the master volume control and for the joint bridge-and-middle tone circuit. The 500k side deals with all things humbucker, while the 250k layer is reserved for the single coil signals. As the neck tone is reserved for the neck pickup only, it uses a traditional 250k pot.

The second position on the five-way switch gives you the middle pickup together with the split Shawbucker.

The American Standard Stratocaster HSS Shawbucker guitar comes in its quality hard case, with a strap and a guitar lead also included in the price.

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I don’t think there’s much need to talk about the Stratocaster’s time-proven ergonomics. Same goes for the well thought-out contemporary improvements the American Standard series offers. The American Standard Stratocaster has been the top seller of Fender’s US output for decades.

The review instruments is a fitting torchbearer for this industry standard – it’s a great-feeling, great-playing, lightweight guitar.

Its acoustic voice is fresh, dynamic and strong, and the Shawbucker Strat’s vibrato works very well in the middle ground between a vintage vibrato and a double-locking Floyd Rose whammy.

Thanks to the chunky nature of the Custom Shop Fat ’50s, this model’s bridge humbucker never manages to overpower the single coils. Yes, there is a slight jump in signal level, when you switch from the Fat ’50s to the Shawbucker, but here it feels very organic and musical.

To my ears the HSS Shawbucker sounds fantastic, offering a bridge position signal boost, while retaining plenty of that ”stratty” character. The improved control set-up works just like it should – there’s a healthy dose of top end airiness in the bridge humbucker, while the single coils sound chiming, but fat. Now, here’s an HSS-Strat that finally does away with any unnecessary compromises!

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Despite the long-winded name, Fender’s American Standard Stratocaster HSS Shawbucker is an outstanding new variation on a proven theme. The Shawbucker-model takes the sound of HSS-guitars to a whole new level.

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Fender American Standard Stratocaster HSS Shawbucker

price around 1.600 €

A big thank you to DLX Music Helsinki for supplying the review guitar!

Pros:

+ value for money

+ playability

+ updated electronics

+ vibrato action and stability

+ sound

15/06/2015 1

Testipenkissä: Fender American Standard Stratocaster HSS Shawbucker

”Taasko uusi Strato-malli? Ketä tällainen enää kiinnostaa? Juu, juu, kyllä, siinä on humbucker tallamikkinä…näitäkin on jo nähty!”

Totta, mutta tähän uuteen American Standard -malliin kannattaa mielestäni ehdottomasti tutustua, koska Fenderin R&D-ryhmä on keksinyt Shawbucker-Stratoon muutamia uusia, oivia detaljiratkaisuja, joita tähän mennessä puuttuivat HSS-mikitetyiltä Stratocastereilta.

”Mikä ihmeen Shawbucker?”

Shawbucker on Fenderin uuden tallahumbuckerin nimi, joka on nimetty sen kehittäjän, Tim Shawn, mukaan. Tim Shaw on oikea elävä legenda kitarapiireissä, joka on ollut 1970- ja 1980-luvulla Gibsonilla töissä. Myöhemmin hän siirtyi Guildiin ja sittemmin Fenderiin. Elektroniikka-guruna hän oli ratkaisevassa asemassa esim. Gibson Les Paul Heritage 80 -projektissa, ja kehitteli firmalle mm. PAF-mikrofonin uusintapainoksia, joita nykyään tunnetaan nimellä ’57 Classic.

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Fender American Standard Stratocaster HSS Shawbuckerin (hintaluokka noin 1.600 €) parannukset koskevat pääosin soittimen elektroniikkaa.

Perusrakenteeltaan malli jatkaa saumattomasti Fenderin erittäin suosittua American Standard -linjaa.

Shawbucker-Straton saarnirunkoon on liitetty vaahterasta veistetty ruuvikaula.

Kaulaprofiiliksi on valittu nykyaikainen C-profiili, ja myös ruusupuisen otelaudan vintagea loivempi radius (9,5 tuumaa) sekä kitaran 22 jumbokokoiset nauhat tekevät soittimesta nykyaikaisen.

Kaksisuuntaista kaularautaa säädetään kätevästi lavan puolelta.

Hyvästä vireestä pitävät huolen Fenderin Deluxe-koneistot.

American Standard Shawbucker -mallista löytyy myös firman patentoitu säätömekanismi kaulan kulmalle.

Nykyisissä American Standard -vibratalloissa on moderni aluslevy veitsenterä-laakereilla, mutta vintage-Stratoista tuttuja tallapaloja muotoon taivutetusta teräksestä.

Testisoittimessa vibran tip up -kulma oli säädetty hieman liian jyrkäksi, mutta asia oli helppo korjata itse sopivilla ristipääruuvareilla.

HSS Shawbuckerin mikrofonivarustus on tarkoin valikoitu:

Kaula- ja keksimikrofoneina toimivat kaksi Custom Shop Fat ’50s -yksikelaista. Vastakkaiseen suuntaan käämitty – ja vastakkaista magneetista napaisuutta omaava – keskimikrofoni poistaa tehokkaasti ulkoisia häiriöitä, kun sitä käytetään yhdessä kaulamikin kanssa.

Shawbucker-kaksikelainen on vintage-tyylinen humbucker avoimella, PAF-tyylisellä soundilla.

Kytkin- ja säädinosasto näyttää hyvin perinteiseltä, mutta siihen on piilotettu tämän kitaran kätevimmät parannukset:

Yksikelaiset ja humbucker-mikrofonit vaativat periaatteessa erilaisia potentiometrejä toimiakseen toivotulla tavalla. Yksikelaisten mikkien kanssa käytetään yleisesti potikoita 250 kilo-ohmin vastuksella, jotta niiden soundista ei tulisi liiankin terävä. Humbuckereilla taas on perinteisesti käytetty 500 kilo-ohmin potentiometrejä, jotta diskantti säilyisi paremmin niiden signaalissa. Myös tonepiirissä toimivan kondensaattorin kapasitanssi-arvo on usein syytä olla erilainen, riippuen siitä onko käytössä yksikelainen vai kaksikelainen mikrofoni.

HSS- ja HSH-kitaroiden ongelma piilee usein juuri potikoiden ja konkkien valinnassa, koska sekä yksikelaisten että kaksikelaisten signaalit reititetään yhteisten volume- ja tone-potikoiden läpi. Lopputuloksena joko humbucker soi hieman mutaisesti tai sitten yksikelainen on hieman liian terävä.

Shawbucker-Stratossa nämä ongelmat on hoidettu pois päiväjärjestykseltä käyttämällä sekä volume- että toisen tone-säätimessä tuplapotikoita, joissa samaan akseliin on liitetty sekä 250 k:n että 500 k:n potentiometri päällekkäin. Humbuckerin signaali on kytketty tuplapotikan 500 k -tasoon, kun taas yksikelaisen soundi muokataan 250 k -tasolla. Keskimmäinen, perinteinen tone-säädin vaikuttaa kaulamikrofoniin, kun taas pleksin reunalla oleva toinen tone toimii keski- ja tallamikrofoneilla.

Viisiasentoisen kytkimen kakkosasennossa keskimikrofoni soi yhdessä puolitetun humbuckerin kanssa.

American Standard Stratocaster HSS Shawbucker -pakettiin kuuluu myös laadukas kova laukku, olkahinka, sekä kitarajohto.

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Stratocasterin hyvästä ergonomiasta ei tarvitse varmasti puhua enempää. American Standard -sarjan soittimien erittäin mukavasta, nykyaikaisesta soittotuntumasta on myös hehkutettu jo pitkään, ja syystäkin. American Standard -Strato on jo vuosikymmeniä ollut firman eniten myyty kitara USA-valikoimastaan.

Testikitara tuntuu juuri sellaiselta kuin sopii odottaa alan merkkipaaluusta – soitin on kevyt, ja se sopii erinomaisesti ainakin minun käteeni.

Akustinen ääni on tutun raikas, dynaaminen ja vahva. Vibratallakin toimii kiitettävästi perinne-Straton ja Floikan välimaastossa.

Fat ’50s -mikrofonien valinta Shawbuckerin aisapareiksi takaa, etteivät yksikelaiset jää missään tilanteessa humbuckeriin nähden alakynteen. Vaihdossa Fat ’50s -mikrofonista Shawbuckerin kyllä huomaa edelleen signaalitason eron, mutta tässä kitarassa boostaus tuntuu hyvin orgaaniselta ja musikaaliselta.

Mielestäni HSS Shawbuckerin soundi on kauttaaltaan hyvin herkullinen ja sopivasti Straton omalla luonteella höystetty. Päivitetty elektroniikka toimii vallan mainiosti – humbucker soi raikkaasti, eikä mene tukkoon, mutta samalla yksikelaisissa diskantilta on leikattu kaikki epämiellyttävä piikikkyys sopivasti pois. Viimeinkin HSS-Strato joka toimii vailla soundillisia kompromisseja!

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Fender American Standard Stratocaster HSS Shawbucker on – hassusta nimestään huolimatta – mainio sähkökitara todella hyvillä päivityksillä. Shawbucker-Strato vie HSS-mikkitetyn kitaran konseptin viimein seuraavalle tasolle.

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Fender American Standard Stratocaster HSS Shawbucker

hintaluokka noin 1.600 €

Kiitos DLX Musiikille testikitaran lainaamisesta!

Plussat:

+ hinta-laatu-suhde

+ soitettavuus

+ parannettu elektroniikka

+ vibratallan toiminta

+ soundi

09/06/2015 1

Ace Frehley ”Budokan” Lespat tulossa!

Kiss-yhtiön alkuperäinen kitaristi Ace Frehley on saanut uudet nimikkomallit sekä Gibsonilta että Epiphonelta.

Gibson-malli tulee markkinnoille kolmena eri versioina:

• 50 relicoitua kitaraa Acen allekirjoituksella varustettuna

• 100 reilcoitua kitaraa ilman allekirjoitusta

• 150 VOS-mallia

Gibson ”Budokan” -malli on tarkka jäljitelmä vuoden 1974 LP Custom mallista: runko on rakennettu kahdesta mahonkikerroksista, vaahterakansi on kolmiosainen, samoin mahonkikaula. Kitaraan on asennettu kolme DiMarzio-humbuckeria, joista kaksi (kaula- ja keskimikki) ovat PAF-tyyppiä, kun taas tallamikrofoni on DiMarzion Super Distortion.

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Epiphone ”Budokan” -malli on speksiltään aika lähellä USA-mallia, ja viritinlavan muodon lisäksi ainoa suurempi ero on perinteinen, paksuista mahonkilankuista tehty rungon takaosa. Kapea kaulaprofiili on kopioitu suoraan alkuperäisestä mallista ja mikrofonivarustus on sama kuin Budokan-Gibsonissa – kaksi DiMarzio PAFia sekä Super Distortion -tallahumbuckeri.

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Maahantuoja: Into-Luthman

19/01/2012 0

Tokai LC-85 Ltd Ed – parempi kuin alkuperäinen?

Ovelien vaihtokauppojen ansiosta yksi minun pojista on saanut ostettua itselleen Tokai LC-85 -kitaran.

LC-85-malli on yksi firman kalleimmasta kitaroista, joita valmistetaan Japanissa käsityöllä. Tämä Tokai on ”kunnianosoitus” kahdella humbuckerilla varustetulle Gibson Les Paul Custom -kitaralle.

Limited edition -version yksiosainen mahonkikaula on viimeistelty öljyämällä, tavallisissa malleissa se on lakattu kiiltävän mustaksi.

Eebenpuiseen otelautaan on asennettu 22 jumbo-kokoista nauhaa, sekä neliskulmaisia otemerkkejä helmiäisjäljitelmästä. Juha Lottonen on oston jälkeen hionut soittimen nauhat ja asentanut kitaralle uuden satulan luusta.

Runko on valmistettu perinteisellä tavalla: paksun mahonkisen takaosan päälle on liimattu vaahterakansi. Mustavalkoinen reunaloitus näyttää kyllä juhlavalta.

Käytetyn kitaran kultaisilla metalliosilla on asiaankuuluvat kulumanjäljät, niin kutsuttu ”patina”. Tallaksi on valittu Gotohin tune-o-matic. Mikrofonit taas ovat Tokain omia, vintage-tyylisiä PAF-Vintage Mark II -malleja.

Ja tässä kuvassa näkyy LC-85:n Gotoh-virittimiä…

Tämän kitaran soitettavuus on ensiluokkainen – kevyt ja notkea.

Tokain PAF-tyyliset mikrofonit kuulostavat isoilta ja eloisilta, ja niissä on maltillinen teho. Tästä syntyy fantastinen humbucker-soundi, jolla on oiva annos pirteyttä, kiitos vaahterakannen (jonka alkuperäinen Les Paul Custom sai vasta 1960-luvun loppumetreillä) ja eebenpuisen otelaudan.

Ainoastaan hieman jäykässä, laatikkomaisessa kytkimessä olisi mielestäni vielä pikkusen parantumisen varaa.

Aion lisätä lähipäivinä vielä esimerkkisoundeja blogille…

Tokain maahantuoja on Suomessa Musamaailma. Uusimmassa Riffi-lehdessä (6/2011) on mukana monisivuinen Tokai-liite!

09/10/2011 1

Tokai LC-85 Ltd Ed – Even better than the real thing?

Through some rather clever bargaining on his part, one of my sons recently got his hands on this – a Tokai LC-85.

The LC-85 is one of the top-end, Made-in-Japan-Tokais, and is their – shall we say – ”tribute” to the post-1969 Gibson Les Paul Custom.

We have a one-piece mahogany neck, which in this limited edition version is oil-finished, instead of lacquered in black.

The ebony fingerboard carries jumbo frets, as well as pearloid fret markers. Master luthier Juha Lottonen has given this guitar a fret polishing, as well as a new bone nut.

The body is made from a mahogany back and a carved maple top. Black and white binding gives the guitar a deluxe look.

As this guitar was acquired used the gold-coloured plating on the hardware shows some cool signs of wear. The bridge is a Gotoh tune-o-matic. The pickups are Tokai’s own PAF-Vintage Mark II -models.

And here’s a look at the sealed Gotoh-tuners…

This guitar plays like a dream – the feel is really effortless and fluid.

Tonally the Tokai PAF-style pickups sound great and lively, and they have a vintage style, medium output. It’s a fantastic humbucker tone with a little added sprinkle of bite, brought to the mix by the maple top and the ebony fretboard.

The only thing probably worth upgrading sometime, may be the slightly stiff, boxed three-way toggle selector.

Stay tuned for some soundbites in the near future…

05/10/2011 1