Review: Änäkäinen Rumble 1 x 12

Änäkäinen Rumble Cream – logo 2

Puuverstas Änäkäinen’s Rumble 1 x 12 -cabinet (prices in Finland start around 580 €) offers a few fresh ideas on how to come up with a cracking guitar tone.

The fathers of the Rumble-concept are cabinet maker Kari Änäkäinen (try saying: Curry ANNA-kay-nun), who is also gigging as a guitarist and bassist, and Kuusankoski’s very own tube amp guru, Triodipaja’s proprietor Lassi Ukkonen (LUSS-cee OO-cow-nun). The guys hit upon the basic idea for the Rumble cabinet, when Kari asked Lassi to calculate the correct cubic content for a lightweight bass cabinet he was building for himself. The bass cabinet turned out very well and set the duo on the path to coming up with the Rumble.

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Änäkäinen Rumble Cream – angle right

When it comes to the cosmetics of his Rumble cabinets, Kari Änäkäinen is a dyed-in-the-wool vintage fan.

Änäkäinen Rumble Cream – back angle

We received two different Rumble 1 x 12 cabinets for this review – one comes in a fetching ”Fender Blonde” look…

Änäkäinen Rumble Black – front angle left

…while the other clearly points in the direction of moody Marshall-ness.

Änäkäinen Rumble Black – back angle

The Rumbles sport metal corner protectors.

Änäkäinen Rumble Black – input

Here you can see the impedance sticker affixed to the sturdy jack plate.

Änäkäinen Rumble Cream – front cloth off

Currently, Kari Änäkäinen gives you a choice of five different speaker models for your personal cabinet.

The cream-coloured Rumble came equipped with an Eminence Private Jack -speaker (50 W/8 Ω).

Änäkäinen Rumble Black – front cloth off

A WGS:n Reaper (30 W/8 Ω) was chosen for the black counterpart.

As you can see in these pictures, one of the special features of all Rumbles is the large rectangular port on one side of the cabinet. The basic idea has been borrowed from bass-reflex speaker, which are often used in Hifi- and bass (amp) cabinet designs. In the Rumble the opening is mainly used for sound dispersion, as the speaker doesn’t feature any internal reflectors, tunnels or a ”tuned” bass port.

Änäkäinen Rumble Cream – struts 1

The details of the cabinet build is also a little bit different to your run-of-the-mill guitar cab. The cabinet itself is crafted from Finnish conifer plywood with a thickness of 15 millimetres.

The advantages of conifer plywood are its quality, abundance and light weight. Most other cabinet makers will claim that this type of plywood is too soft and pliable for cabinet-making, but Kari has found his own solution to this problem: He uses internal struts and supports made from the same material.

Änäkäinen Rumble Cream – struts 2

The speaker baffle, on the other hand, is made from very sturdy, 18 millimetre thick Finnish birch plywood.

The whole speaker cabinet is constructed using only glue joints and wood dowels. The only screws in an Änäkäinen Rumble are those keeping the speaker, the jack plate and the corner protectors in place.

Änäkäinen Rumble Cream – top handle

The Rumble’s low weight of approximately 12 kilos is easy to lift by the cab’s top handle.

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Änäkäinen Rumble Cream – front left

The first – completely subjective – impression I got from using the Rumble 1 x 12 was of a ”loud”, ”big” and ”musical” sounding cab. The Änäkäinen even made my tiny Blackstar HT-1R sound like a full-size tube amp.

The Rumble gets across a healthy shot of warmth and transparency – just like many other quality cabinets – but its special, front-ported construction adds an amazing amount of spread and directivity to the sound that is all its own. The sound dispersion is neither too narrowly focussed, nor is there any sound getting ”lost” behind the cab. Thanks to its front port, the Rumble delivers a larger-than-life, Cinemascope-style sound.

The Eminence-loaded blonde Rumble sings beautifully with a warm and creamy voice:

Änäkäinen Rumble Black – front angle right

Thanks to the WGS Reaper -speaker inside the black-clad Rumble 1 x 12, this cab has a somewhat more aggressive British accent. This added bite isn’t quite as pronounced when you stick to clean amp settings, but it will help your Rock riffs to cut through more easily:

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Änäkäinen Rumble Black – logo 2

I must say I really like these Änäkäinen Rumbles a lot! They deliver excellent, boutique-class tones at a very fair price. If you need a relatively compact guitar cab with a big sound, you should really consider going for a Rumble!

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Änäkäinen Rumble 1 x 12

Finnish prices starting around 580 €

Made by Puuverstas Änäkäinen

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Pros:

+ workmanship

+ a functional, non-mainstream concept

+ wide, yet focussed sound

+ rich bottom end

+ different speaker options

THIS WEEKEND: The Holy Grail Guitar Show – Berlin, November 15th & 16th, 2014

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The Holy Grail Guitar Show is your chance to get up close and personal with the crème de la crème of small-series and custom guitar makers and luthiers from around the globe!

The Holy Grail Guitar Show – which is put on by the association of European Guitar Builders – will be held at the Estrel Berlin Hotel and Congress Centre in Berlin (Germany) on the 15th and 16th of November.

While the show’s main focus will lie on European builders, the Holy Grail Guitar Show’s exhibitor list (of more than 100 different companies) does include high-end makers from all around the world.

You can find more information HERE.

Kitarablogi.com will be there, too!

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Here’s a word from EGB vice president Juha Ruokangas:

Testipenkissä: Änäkäinen Rumble 1 x 12

Änäkäinen Rumble Cream – logo 2

Puuverstas Änäkäisen Rumble 1 x 12 -kaappi (hinnat alk. 580 €) tarjoaa tuoreita suomalaisia ratkaisuja hyvän kitarasoundin perustaksi.

Rumble-konseptin takana ovat puuseppä Kari Änäkäinen, jolla itse on myös kitaristi- ja basistitausta, sekä kuusankoskelaisen Triodipajan vetäjä Lassi Ukkonen. Rumble-kitarakaapin suunnittelu alkoi puolivahingossa, kun Kari päätti rakentaa itselleen kevyen ja kompaktin bassokaapin ja pyysi Lassia laskemaan hänelle siihen oikeat mitat. Onnistuneen bassokaapin perusteella syntyi idea tarjota kitaristille laadukkaita, kompakteja ja kevyitä vahvistinkaappeja. Yksi Änäkäisen ensimmäisistä asiakkaista muusikkopuolelta oli kitaralegenda Juha Björninen.

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Änäkäinen Rumble Cream – angle right

Rumble-kaappien kosmetiikan suhteen Kari Änäkäinen on vannoutunut vintage-mies.

Änäkäinen Rumble Cream – back angle

Saimme testiin kaksi Rumblea, joista toisella on Fender Blonde -tyylinen ulkonäkö (kermanvärinen päällystys ja beesi etukangas)…

Änäkäinen Rumble Black – front angle left

…ja toisella enemmän Marshallin suuntaan nojaava värimaailma.

Änäkäinen Rumble Black – back angle

Rumble-kaapeissa on metalliset kulmasuojat.

Änäkäinen Rumble Black – input

Vankantekoiseen jakkilevyyn on liimattu selkeä impedanssitarra.

Änäkäinen Rumble Cream – front cloth off

Kari Änäkäinen tarjoaa asiakkailleen viisi erilaista 12-tuumaista kaiutinmallia, joista voi valita sopivan elementin omaan kaappiin.

Testissä käyneeseen kermanvaaleaan Rumbleen oli asennettu Eminence Private Jack -kaiutin (50 W/8 Ω).

Änäkäinen Rumble Black – front cloth off

Mustaan Rumbleen taas on valittu WGS:n Reaper-malli (30 W/8 Ω).

Kuten näistä kuvista näkyy, yksi Rumble-kaappien erikoisuuksista on kaiuttimen viereen sijoitettu ääniaukko. Idea on lainattu useissa basso- ja hifikaapeissa käytetystä refleksirakenteesta, vaikka Rumbleissa ei ole ääntä heijastavia väliseiniä tai viritettyä bassoputkea.

Änäkäinen Rumble Cream – struts 1

Rumble-kaappien perusrakennekin poikkeaa tavallisesta kitarakaapista, sillä kotelo on tehty kotimaisesta, 15-millisestä havuvanerista.

Havuvanerin edut ovat sen laadukkuus, hyvä saatavuus, ja etenkin materiaalin kevyt paino. Monille valmistajille havuvaneri on kitara- ja bassokaappien tekoon hieman liian taipuisa, mutta Kari Änäkäinen on löytynyt tähän ratkaisun – samasta materiaalista tehdyt sisäiset tuet.

Änäkäinen Rumble Cream – struts 2

Kaiutinta kantava etuseinä taas on leikattu 18-millisestä, suomalaisesta koivuvanerista.

Koko kotelo on toteutettu täysin ilman ruuveja, ainoastaan liimaliitoksilla ja puutapeilla. Rumble-kaappien ainoat ruuvit käytetään kaiuttimen, jakkilevyn ja kulmasuojien kiinnityksissä.

Änäkäinen Rumble Cream – top handle

Rumble-kaappi on hyvin kompakti ilmestys, joka painaa vain noin 12 kiloa.

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Änäkäinen Rumble Cream – front left

Tämä perustuu vain subjektiiviseen vaikutukseen, mutta ensimmäiset sanat jotka tulivat Rumble-kaappien kokeilussa mieleen olivat ”äänekäs”, ”iso” ja ”musikaalinen”. Änäkäinen Rumble saa jopa oman Blackstar-pikkuvahvarin (HT-1R) kuulostamaan täysikokoiselta, aikuiselta putkivahvistimelta.

Rumblessa löytyy se sama lämpö ja avoimuus kuin monissa avoimissa kaapeissa/komboissa, mutta sen erikoisen rakenteen ansiosta äänen suuntavuus on huomattavasti parannettu. Tässä ei katoa puolet soundista johonkin kaapin taakse. Samalla etupuolen ääniaukon ansiosta syntyy sellainen herkullinen, huonetta täyttävä ”laajakulma-soundi”.

Eminence-kaiuttimella varustettu blondi-Rumble soi täyteläisellä ja kermaisella äänellä:

Änäkäinen Rumble Black – front angle right

Mustalla Rumblella taas on – WGS Reaper -kaiuttimen ansiosta – vahva Britti-aksentti. Tämä kaappi on hieman ärhäkämpi ja sillä on purevampi preesensalue. Puhtailla vahvistinasetuksilla ero testikaappien välillä ei ole ehkä niin selkeä kuin särösoundeissa:

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Änäkäinen Rumble Black – logo 2

Tämän testin perusteella voin vain todeta, että Änäkäinen Rumble -kaappi tarjoaa aitoa suomalaista boutique-laatua reiluun hintaan. Rumble todella kuulostaa isommalta kuin mikä se on.

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Änäkäinen Rumble 1 x 12

Hinnat alkaen 580 €

Valmistaja: Puuverstas Änäkäinen

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Plussat:

+ työnjälki

+ valtavirrasta poikkeava, toimiva konsepti

+ laaja, mutta silti fokusoitu soundi

+ bassotoisto

+ saatavilla eri kaiuttimilla

Tule kokemaan taivaallisia kitaroita! The Holy Grail Guitar Show – Berliini, 15. & 16. marraskuuta 2014

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The Holy Grail Guitar Show -näyttely antaa sinulle ainutkertaisen mahdollisuuden tutustua maailman parhaimpiin uusiin kitaroihin, sekä tekijöihin unelmasoittimien takana!

The Holy Grail Guitar Show:n takana on eurooppalaisten kitararakentajien yhdistys The European Guitar Builders. Tapahtuma järjestetään Berliinissä, Estrel Berlin Hotel and Congress Centre:ssä 15. ja 16. marraskuuta.

Vaikka tapahtuman pääpaino on eurooppalaisissa soittimissa, The Holy Grail Guitar Show:n pitkältä näytteilleasettajien listalta (joka sisältää yli sataa soitinpajaa) löytyy myös kitararakentajia esim. USA:sta, Kanadasta tai Japanista. Suomalaisia nimiä löytyy listalta muuten yllättävän monta:

AJL-Guitars

Amfisound Guitars

Liljeström Guitars

Lottonen Guitars

Ruokangas Guitars

Soitinpaja Jasesoi

Tyyster Guitars

Versoul Instruments

Tarkempaa lisätietoa tapahtumasta saa TÄSSÄ.

Kitarablogi.com on luonnollisesti myös menossa!

Review: Tokai ES-138/SR • ES-145G/BB • ES-162/TB

Tokai ES-162 – and case

Tokai Guitars have a well-earned reputation for making high-quality electric guitars and basses, often ”inspired” by vintage designs. This time we got three semis from the very top of Tokai’s Japanese model range for review.

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Tokai ES-138SR – full front

The Tokai ES-138 (current price in Finland: 1,368 €, incl. hard case) is the company’s version of a 1958 Gibson ES-335, available in either see-through red or piano black.

Tokai ES-145G – full front

Tokai’s ES-145G (current price in Finland: 1,431 €, incl. hard case) is a lightly updated variation on the theme, which comes equipped with gold-coloured hardware and a black finish.

Tokai ES-162TB – full front

The Tokai ES-162 (current price in Finland: 1,628 €, incl. hard case) is the most expensive model of the three on review. The ES-162 comes with post-1962 style small block markers, brass bridge saddles, and a light aluminium stopbar. The icing on the cake is this model’s vintage-style nitrocellulose finish – you can choose between a tri-burst and red.

Tokai ES-138 – headstock

Tokai use top-drawer Gotoh tuners on the three tested models.

Tokai ES-138 – tuners

The ES-138 and ES-162 come equipped with vintage-style Kluson-copies.

Tokai ES-145G – headstock

Tokai ES-145G – tuners

For the ES-145G Tokai have chosen a set of modern enclosed Gotohs.

Tokai ES-145G – fingerboard

These Tokai Japan -instruments all come with a one-piece mahogany neck, complete with a vintage-correct, steep headstock angle (17 degrees).

The bound rosewood fretboards on the ES-138 and ES-145G models sport dot markers.

Tokai ES-162 – fretboard

As the ES-162 is Tokai’s version of a 1962-’64 ”Block Marker” ES-335, this guitar comes with small rectangular inlays made of pearloid.

All three instruments come fitted with medium-size frets.

Tokai ES-138 – bridge

Tokai’s ES-guitars come with Gotoh Tune-o-matic-bridges and stopbar tailpieces.

Tokai ES-145G – bridge

On the ES-138 and the ES-145G we find Gotoh’s LS-series hardware – die-cast (Zamac) parts with steel bridge saddles.

The ES-162 goes one step more ”vintage” by using a Gotoh HLS -set, comprising an ultra-light aluminium stopbar tailpiece and chrome-plated brass saddles on the bridge.

Tokai ES-162 – pickups

This guitar trio is equipped with the same pickups – a pair of Tokai PAF-Vintage Mark II -humbuckers.

Tokai ES-145G – controls

All the electronic components are top quality Japanese parts.

Tokai ES-case

Certain Tokai Japan -models are now sold in Finland complete with Tokai’s cool hard cases.

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Tokai ES-138 – beauty shot 1

The cherry red semi-acoustic is one of guitardom’s most iconic electric models. For many this curvy and well-rounded body, made from heat-pressed maple plywood, is the most beautiful body style ever.

Tokai’s ES-138 recreates this classic guitar in its earliest guise (c. 1958), complete with dot markers and a long pickguard, which extends past the bridge.

Even though an ES-335-type body is comparatively large (but thin), many of the best semi-acoustics are surprisingly lightweight. The Tokai ES-138 is very comfortable to play – both seated and strapped on – and balances superbly.

This model’s neck profile is a medium-thick ”D”, which feels great (at least in my hand). The fret job on the test sample was excellent, the set-up spot-on, and the action very light (with a set of 010s). The ES-138’s acoustic tone is typical of this type of guitar – very hollow and nasal with a clicking attack.

Tokai’s own rendition of the classic PAF-humbucker is superb, there’s no two ways about this! The output signal is moderate, and the basic sound is very open and dynamic. The neck pickup has a warm, round tone, but doesn’t mush up. The middle position on the selector switch gives you a very balanced and open sound. The bridge humbucker on its own sounds fresh and crispy, with not even a hint of annoying mid-range ”nagging”.

Tokai ES-138 – body beauty

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Tokai ES-145G – beauty shot 1

The black-and-gold ES-145G sure looks very stylish – this is the distinguished gentleman in Tokai’s ES-range, who keeps his cool and looks dapper, no matter what.

Our test sample was the heaviest guitar of this trio, but still much, much lighter than may lesser contenders.

The ES-145G’s neck profile is also the chunkiest. This D-profile is a real palm-filler, giving you a real taste of late-Fifties goodness, and managing to stay just on the right side of ”fat”.

The workmanship displayed, and playability offered by the ES-145G are simply superb. Played acoustically there’s not a lot of difference between the ES-145G and the ES-138.

Through an amp, the ES-145G sounds just like a quality semi-acoustic should – humbucker power, balanced by a clean mid-range.

Tokai ES-145G – body beauty

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Tokai ES-162 – beauty shot 1

Our review sample of the Tokai ES-162 is a real featherweight!

The ES-162’s Block Marker -personality is completed by an authentic early-Sixties style neck profile. It’s an oval ”C” that is less of a handful than the ES-138’s neck.

Top marks for the ES-162’s workmanship, finish and playability – this is a first-rate instrument.

This model’s thin nitro lacquer, its lightweight tailpiece, as well as the brass saddles on the Tune-o-matic combine into a very open-sounding and dynamic acoustic performance.

Standing in the same room with your amp, it is easy to notice an added degree of 3D-depth and scope in the guitar’s amplified tone. Interestingly – as is so often the case – recording the sound doesn’t seem to fully convey this added tonal dimension. You have to experience the ES-168 ”in the flesh” to get the full picture; the recordings sound remarkably similar to the other two models’ performances.

Tokai ES-162 – body beauty

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Tokai ES-162 – label

The reputation of Tokai Japan -instruments has been legendary among players and collectors ever since the 1970s. This trio of ES-semis makes it crystal-clear that Tokai actually deserves this reputation thanks to the superb quality of it’s Made-in-Japan guitars.

Tokai’s ES-138, ES-145G and ES-162 offer you genuine Japanese quality at very fair prices.

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Tokai Japan semi-acoustic electrics

Tokai ES-138 – 1,368 € (hard case included)

Tokai ES-145G – 1,431 € (hard case included)

Tokai ES-162 – 1,628 € (hard case included)

Finnish distributor: Musamaailma

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Pros:

+ Japanese workmanship

+ one-piece neck

+ superb finish and set-up

+ Gotoh-hardware

+ authentic tone

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