I’d guess this will change soon, because this ambitious Chinese acoustic guitar maker is not content with simply copying other people’s designs and building techniques. Mayson’s chief designer Alex Wang has come up with many structural improvements and updated manufacturing methods to make a better steel-string guitar.
Key changes include Mayson’s patented bolt-on neck joint, their own special top bracing pattern, and deeper bodies for a richer sound.
Mayson Guitars’ Finnish distributor NordSound kindly supplied us with a Mayson M3/OCE for this review.
The Mayson M3/OCE (price in Finland: 558 €; incl. gig bag) comes from the company’s Luthier Series and is a Mayson Marquis-sized (Grand Auditorium) cutaway model with a built-in pickup and preamp system.
The M3/OCE is an extremely beautiful steel-string with a richly grained solid ovangkol top, and laminated ovangkol sides and back. Ovangkol is a non-endangered African relative of rosewood.
The Mayson’s neck is crafted from mahogany and topped with an Indian rosewood fingerboard sporting narrow frets.
Mayson uses its own special style of open gear machine heads.
The tuners are sunk into the back of the headstock to prevent any sideways movement of the machine heads.
The M3/OCE comes with a top nut and a compensated bridge saddle both made from genuine bone.
Our review instrument comes with Mayson’s own MPC-6 Purecoustics pickup system.
The preamp offers you three unobtrusive knobs to adjust your sound – volume, bass and treble.
The only point deduction comes in the guise of a freewheeling battery pouch. The sticky tape holding the velcro supposed to hold the battery pouch in place (next to the neck block) has become unstuck somewhere down the line, leaving the battery hanging from the preamp by its connecting cables.
The M3/OCE comes adorned in tasteful wood binding.
The guitar has received a flawless natural gloss finish.
I must admit to it:
I’m a real sucker for beautiful woods, so the Mayson M3 got me on its side straight away, thanks to its stunning ovangkol soundbox.
But the M3/OCE isn’t only looks! This guitar plays great, not least thanks to its comfortable D-profile neck, and a very decent fret job.
In my view, the best thing about this Mayson is the way it sounds, though. The sound is rich, well-defined, and offers plenty of zing and sparkle. This is a huge sound with fantastic definition, which reminds me of a grand piano.
Mayson’s MPC-6 Purecoustics pickup system also ticks all the right boxes in my opinion, giving you a very decent piezo version of the M3/OCE’s acoustic voice.
Here’s a short clip played fingerstyle and recorded with a single AKG C3000 microphone:
…and the same clip recorded using the guitar’s pickup system:
Here I’ve used a plectrum and the AKG mic:
…and here’s the same piece recorded with the Purecoustics system:
The demo track consists of three different stereo guitar tracks, all recorded with a pair of C3000s:
The Mayson M3/OCE is a fine acoustic guitar with a very decent pickup system at a very fair price. The ovangkol soundbox makes this guitar a real thing of beauty.
I can only recommend you try one out for yourself.
It’s practically impossible to overstate the significance of Fender’s brand-new American Professional series of guitars and basses:
This isn’t just another new series among many others – the American Professional instruments are replacing Fender’s longest-running, mega-selling American Standard model range.
In addition to several Tele, Strat, Precision and Jazz Bass models, the American Pro range also includes modern versions of the Jazzmaster and Jaguar guitars.
Fender’s American Pro instruments feature a multitude of improvements and updates over the American Standard models, but without doubt the most important upgrade comes in the form of the series’ V-Mod single-coils.
The V-Mod pickups have been developed by Fender’s electronics specialist Tim Shaw. The basic idea was to provide pickups that are tuned specifically for the position they are used in on the guitar. Shaw even went as far as harmonising the tonal response between the wound and plain strings inside each pickup, in some cases even using different magnets inside one pickup.
Depending on the chosen finish, the Fender American Professional Telecaster (price in Finland approx. 1,700 €; incl. case) comes with either an alder or ash body (as on the two-tone sunburst model reviewed here).
You can also choose between a one-piece maple neck and a rosewood fingerboard option.
The American Professional Stratocaster (price in Finland approx. 1,700 €; incl. case) uses alder for the body, and you can choose between one-piece maple necks and rosewood fingerboards, too.
After having used synthetic materials for a long time, Fender have now switched to genuine bone nuts on all their American Pro instruments.
The two-way Biflex truss rods have been kept over from the American Standards.
All Am Pro guitars come with modern tuners with staggered-height posts.
The fretboard radius is kept at 9.5 inches, which gives you an excellent compromise between a vintage Fender-feel and modern playability.
There’s been an important change regarding the fret material, though:
American Professional guitars come with a new fret type that is almost as tall as jumbo wire, but narrower than the frets on the discontinued American Standard models. Again, this new fret profile is meant to give you the feel – and the percussive attack – of vintage fretwire, combined with the bend-friendly height modern jumbo-sizes offer.
The Am Pro Telecaster’s bridge is a brand-new design, which is reminiscent of vintage-type Tele bridges, but includes a few contemporary improvements.
Tele anoraks will be pleased to see Fender reverting back to a three-saddle design using brass saddles. The new saddles sport machined slopes for better intonation adjustment.
For the most part, the sides of the bridge’s base late are lower than on a vintage-style Tele bridge to make fingerpicking easier. The rear-facing end is higher, though, and Fender even includes a short and snazzy bridge cover (not shown).
Why fix something that’s not broken?
The Am Pro Strat vibrato is basically the same well-designed two-point bridge we all know from the recent American Standard series Strats, sporting vintage bent-steel saddles, and a modern bridge plate and vibrato block.
The vibrato arm is push-fit.
The American Professional models feature a traditional four-screws-plus-tilt neck joint.
The Am Pro Strat’s deep contours make the guitar especially comfortable to play.
The V-Mod pickups on the Telecaster both use Alnico V magnets for the bass strings and Alnico II for the treble strings.
The bridge pickup is reverse-wound/reverse-polarity to give you a hum-free middle (both pickups on) setting.
The V-Mod set for the SSS-Strat is even more involved than the Tele’s set-up:
The neck pickup uses Alnico II magnets for the wound strings and Alnico IIIs for the plain strings, for a tight bass and warm trebles. The middle pickup comes with Alnico IIs for the bass strings and Alnico Vs for the top, which helps retain the sparkle and clarity in switch positions two and four. The bridge pickup has Alnico V magnets for all six strings.
The tone control set-up has been modified to include the bridge pickup as well, by having the neck and middle pickups share the first tone control.
Fender has given the neck profiles an overhaul, too, and this has clearly paid off:
The new, more oval C-profile feels fantastic, much better than the sometimes slightly generic feel of older American Standard necks. The neck is chunky without being fat or unwieldy.
The workmanship, the fretwork and the general set-up were very good, but for some reason the intonation was off on our test sample. Nothing a digital tuner and a screwdriver can’t fix in a matter of minutes, though…
I look for a woody and throaty basic voice in my Teles, and the new American Pro Telecaster delivers. There’s enough twang in here for Country and early Rock ’n’ Roll, but the sound always stays satisfyingly fat and chunky.
The new neck profile also does its magic when it comes to the Am Pro Strat. This is one guitar that’s hard to put down!
You can only admire Tim Shaw for his dedication and perseverance in developing the Strat’s V-Mod pickup set.
Every now and then I tend to veer towards the cynical, when dealing with marketing hype and pickup esoterics. I mean, come on, most traditionally constructed Strats (and S-type guitars) sound like a Strat – bright, sparkly single pickup selections and hollowed-out in-between settings.
Fender’s V-Mod single-coils do clearly make a difference in my opinion. Firstly, the string-to-string balance for each pickup on its own is outstanding, both in terms of level and timbre. Secondly, the in-between settings sound extremely good, too, despite the fact that the V-Mod set mixes three different Strat pickups.
This results in a Stratocaster model with five equally great-sounding pickup selections.
The demo track has Telecaster rhythm tracks coming from the left side of the stereo field, and Stratocaster rhythm parts coming from the right. On the first pass the lead guitar part is played on the Tele, for the second pass the Strat takes over.
In my view, the American Professional Telecaster and Stratocaster are very worthy successors to their American Standard counterparts.
These guitars will doubtlessly set a new standard for high-volume production line electric guitars, just as their predecessors have done since the late 1980s.
Fender American Professional Telecaster & Stratocaster
Approximate price: 1,700 € each (includes hard case)