And then there were three… Sire, Vintage (by JHS) & Yamaha

Here’s a short cover of Wilton Felder’s classic bassline on the Jackson 5 track ”I Want You Back”.
The bass was recorded straight via a Focusrite Saffire 6 USB sound card.
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SIRE Marcus Miller V5 Alder-4 (2nd generation)
• alder body
• heat-treated maple neck with maple fingerboard
• 20-fret, bound fingerboard with rolled edges
• two Sire Vintage J Revolution pickups
• passive electronics – volume, volue, tone
• Sire Premium open tuners
• Sire Marcus Miller Vintage bridge (can also be strung through-body)
• front pickup cover supplied with the bass (not installed)
More info: Soundtools

Here’s a short cover of Wilton Felder’s classic bassline on the Jackson 5 track ”I Want You Back”.

The Vintage takes the first turn, with the Yamaha going second.
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• Vintage (by JHS) VJ74
– Swamp ash body
– Maple neck with maple fingerboard
– Black block markers
– Two Wilkinson J-type singlecoil pickups
– Wilkinson vintage-type tuners
– Wilkinson vintage-type bridge with brass saddles
More info: aronsoitin.fi/
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• Yamaha BB234
– Alder body
– Maple neck with rosewood fingerboard
– Dot markers
– One P-type pickup; one J-type pickup
– Yamaha vintage-type tuners
– Yamaha vintage-type bridge
More info: f-musiikki.fi/
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Both basses were recorded direct via a Focusrite Saffire 6 USB interface.

Tulossa: Kaksi bassoa – Rockway-blogi

Here’s a short cover of Wilton Felder’s classic bassline on the Jackson 5 track ”I Want You Back”.

The Vintage takes the first turn, with the Yamaha going second.
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• Vintage (by JHS) VJ74
– Swamp ash body
– Maple neck with maple fingerboard
– Black block markers
– Two Wilkinson J-type singlecoil pickups
– Wilkinson vintage-type tuners
– Wilkinson vintage-type bridge with brass saddles
More info: aronsoitin.fi/
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• Yamaha BB234
– Alder body
– Maple neck with rosewood fingerboard
– Dot markers
– One P-type pickup; one J-type pickup
– Yamaha vintage-type tuners
– Yamaha vintage-type bridge
More info: f-musiikki.fi/
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Both basses were recorded direct via a Focusrite Saffire 6 USB interface.

Tulossa Rockway-blogiin: Encore Blaster -kitarat

Encore Blaster E2 & E6

• solid paulownia body
• maple neck; bolt on
• rosewood fretboard; 22 frets
• Guitar Tech (by JHS) hardware
• Guitar Tech (by JHS) pickups

Contact: Aron Soitin
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The demo song is a short cover version of ”Wonderful Land” (Jerry Lordan) in the style of The Shadows.
• Encore Blaster E2 – rhythm guitars
• Encore Blaster E6 – lead guitar
All guitar tracks played on a Bluetone Shadows Jr valve combo and an Electro-Harmonix Memory Toy. Recorded to Garageband using a Shure SM57 and a Focusrite Saffire 6 USB.

Tulossa Rockway-blogiin: DiMavery ST-312 Satin Black

DiMavery ST-312 Satin Black

• solid ash body

• maple neck, bolt-on

• rosewood fretboard with red dot markers

• 22 medium frets

• black chrome hardware: vintage vibrato bridge & sealed tuners

• bridge humbucker plus neck and middle singlecoil pickups

• master volume and two tone controls

• gig bag included 

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Demo Song

This is a short cover of ”Wonderful Land” (Jerry Lordan) inspired by Mike Oldfield’s version.

All guitar tracks played on the DiMavery ST-312 through a Mad Professor Simble Overdrive and a Bluetone Shadows Jr. tube combo.

Finnish distributor: Discoland

Review: Tokai TTE-50 Modern

Tokai Guitars’ Finnish distributor, Musamaailma, isn’t only selling the Japanese brand’s products, they are also involved in developing certain new products. The newest result of this joint development is a Tele-version of the TST-50 Modern, called the TTE-50 Modern (999 €).

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The Tokai TTE-50 Modern’s basic idea is to combine the most sought-after vintage features of Tokai’s TTE-models with the most requested modern features. You could say the TTE-50 Modern is a factory-modded special edition. The new guitar is available in three beautiful finishes – 3-Tone Sunburst, Olympic White and Sonic Blue.

The new Tokai comes with a two-piece premium alder body. On the sunburst version the glue line runs down the middle of the body, with the pieces’ grain nicely matched. The TTE-50 Modern combines a gloss-finished body with a satin-finished maple neck.

Despite the TTE-50 Modern sporting a rosewood fingerboard, there’s a walnut ”skunk stripe” running along the back of the neck. This is due to the inclusion of a bullet-type truss rod, which makes relief adjustment a doddle. The fretboard’s 9.5-inch radius sits in the middle of Fender’s vintage 7.25 inches and Gibson’s much flatter 12-inch radius. The TTE-50 Modern comes with 22 medium-jumbo frets (Dunlop 6105).

As most Tele fans love vintage-style hardware, the Tokai willingly obliges. You will find top-drawer Kluson-copies, made by Gotoh, as well as a vintage-style bridge with three brass saddles with string grooves.

The most obvious difference between a bog-standard Tele and the TTE-50 Modern lies in the pickup combination. The new Tokai combines a vintage-type bridge singlecoil with a PAF-type neck humbucker. This combination became very popular in the 1970s, with the most famous users including Keith Richards (The Rolling Stones), the late Albert Collins (aka The Iceman) and Andy Summers (The Police). Both pickups are made in Japan by Tokai.

We find the standard set of controls, comprising a three-way blade switch, a master volume, and a master tone control. Beneath the control plate you can see clean workmanship and quality parts. The volume control features a treble bleed circuit, which keeps the sound from getting wooly, whenever you turn the volume down.

The Tokai TTE-50 Modern comes in its own padded gigbag.

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The TTE-50 Modern is a quality instrument. The workmanship and quality of finish are of a very high standard, and the guitar’s playability and sound are excellent.

The neck profile is a comfortable, not-too-thin, modern C, which is easy to play.

If you’re new to the pairing of neck humbucker and bridge singlecoil, the higher signal level of the neck pickup might feel slightly unintuitive at the beginning. But, I’m sure, you will quickly get to grips with this feature, especially as the Tokai’s controls work nicely to give you a full range of different sounds.

Here’s a clip of the TTE-50 Modern played straight into a Bluetone Shadows Jr. -combo (Shure SM57), starting with the bridge pickup:

And here’s the demo song – with and without the other instruments:

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The Tokai TTE-50 Modern’s addition of a PAF-style neck humbucker turns the guitar into a very versatile instrument. From traditional Jazz to the ’60s British Invasion, from Blues to Rock, and from Country to Punk – this guitar can cover all the bases in style.

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Tokai Guitars TTE-50 Modern

999 € (including gigbag)

Finnish distributor: Musamaailma

Pros:

+ workmanship

+ modern features

+ playability

+ sound

+ value-for-money

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