Review: Tanglewood Sundance Historic TW40O-AN-E + TW40D-AN-E

Tanglewood TW40O + TW40D – ad

This review could also carry the headline: ”Tanglewood brings vintage to the masses”. Tanglewood’s Sundance Historic guitars have been designed to give you plenty of that ”pre-war” charm at very player-friendly prices. Take the two models on review, for example, which have price tags well below 700 Euros, despite even coming with on-board Fishman pickups and preamps!

The TW40O-AN-E and the TW40D-AN-E are both quite reminiscent of certain legendary Martin-models from the 1930s and 40s.


Tanglewood TW40O-AN-E – full front

The Tanglewood TW40O–AN-E (current price in Finland 673 €) is the Sundance Historic series’ version of a Martin OM-18 model – the first Martin steel-string acoustic to feature a neck joint at the 14th fret when it was introduced in the Thirties.

Tanglewood TW40D-AN-E – full front

Tanglewood’s TW40D-AN-E (673 €) is a tip of the hat to Martin’s D-18, which is the most copied, most referenced steel-string of all time. Even Gibson went out and bought a Martin in 1960, so they could use it to reverse engineer their own Hummingbird and Dove models.

Both of these models can also be had without the pickup system for 598 Euros each.

Tanglewood TW40O-AN-E – back beauty

The necks of the TW40O and the TW40D have been built in the traditional fashion employed on classical guitars:

The neck is a one-piece mahogany affair – headstock and all – save for a separate, glued-on neck heel.

Tanglewood TW40D-AN-E – body beauty 2

The bodies are crafted using solid spruce tops and laminated mahogany rims and backs.

The ”AN” in the model designation hints at the beautiful Antique Natural finish of these Historic Series instruments.

Tanglewood TW40D-AN-E – headstock

The nut is genuine bovine bone.

Tanglewood TW40O-AN-E – tuners

The machine heads are very decent copies of 1930s open-geared Grovers. They do a great job of keeping the tuning stable, but their action is a little bit stiffer than what you’re used to with modern die-cast tuners.

Tanglewood TW40O-AN-E – fretboard

The slender and small frets fit the vintage brief of the TW40O and TW40D to a tee.

Tanglewood TW40O-AN-E – bridge

Here’s a good example of how different two pieces of rosewood can look:

The reviewed TW40O-AN-E’s bridge is a nicely-grained light example…

Tanglewood TW40D-AN-E – bridge

…while the dreadnought carries a much darker counterpart.

The compensated bridge saddle is genuine bone on both instruments.

Tanglewood TW40O-AN-E – Fishman Sonitone

Both Sundance Historics have been equipped with a Fishman Sonitone pickup and preamp.

The piezo transducer sits beneath the bridge saddle and feeds its signal to the preamp – featuring master volume and master tone controls – that has been glued to the underside of the soundhole’s bass side edge. The Sonitone is powered by a 9 V battery, which is stowed away in its own pouch that is velcro’d to the neck block. The downside is that changing the battery is a much more involved affair than with a quick change battery compartment, but the advantage of this Fishman system is that it doesn’t spoil the guitar’s looks.

Tanglewood TW40O-AN-E – output

Both Tanglewoods sport an end pin output jack.


Tanglewood TW40O-AN-E – body beauty 2

The care that has quite obviously gone into building these two Tanglewood Sundance Historic guitars really puts a smile on your face. The workmanship is clean and precise, and both instruments look more expensive than they really are.

Even though both guitars are from the 500-800 Euro price bracket, Tanglewood have gone the extra mile to match the wood grain on the sides of both guitars. The tops of the shoulders look bookmatched.

The vintage brief extends to more than simple cosmetics on the TW40O-AN-E:

Vintage OM-guitars (OM stands for Orchestra Model) are known for their slightly wider necks with soft V-profiles. You will also often find a slightly wider string spacing at the bridge, which makes fingerstyle playing much easier.

Tanglewood has used these vintage specifications for their Sundance Historic OM:

The neck has a very nice, soft V-profile, with a width at the top nut of 46 mm. The low E to top e spacing at the bridge is a very comfy 58 mm, which is good news for fingerpickers, working equally well with a plectrum.

The TW40O plays like a dream with a nice set-up on our review sample (string height at the 12th fret: bass-E – 2.1 mm/treble-e – 1.9 mm).

There a lot of debate about the pros and cons of solid backs in acoustic guitars. Some claim that a solid back is almost as important as a solid top in a steel-string acoustic, while others point to the use of laminated backs in the legendary Selmer-Maccaferri guitars (and newer exponents of the Gypsy Jazz genre) or to the great sound of arched-back vintage Guilds.

My own position in this debate is that most (but not all) guitars with laminated backs a bit quieter and drier-sounding than their all-solid brethren. Nevertheless, I feel that a solid top and an overall well-crafted instrument are much more important to the sound as a whole.

An OM-sized steel-string will have a ”sweeter”, less bass-heavy tone than a Dreadnought of similar build, which is due in large part to its smaller and differently-shaped body.

Tanglewood’s TW40O has the trademark OM-sound – the guitar’s voice is open and well-balanced, with a projection akin to that of a Dreadnought, and it is very easy to record and place in a mix.

These two clips have been recorded with a pair of Shure SM57 microphones:

Fishman’s Sonitone system is a decent and easy-to-use choice to amplify your guitar on stage with the least amount of hassle:

Tanglewood TW40O-AN-E – soundhole rosette


Tanglewood TW40D-AN-E – body beauty 1

The original aims in designing the Dreadnought were the need for more volume and a fatter bass register. At first Martin’s D-models were aimed squarely at the ”singing cowboys”, which were so popular in the US in the 1930s and 40s. These musicians, such as Gene Autry or Hank Williams, needed loud guitars that would build a strong foundation for their vocals. This is what started the phenomenal success of the D-model, making it fairly ubiquitous in most genres of music.

Tanglewood’s TW40D-AN-E is a well-made homage to a 1930s-style D-18, both in terms of looks and sound.

The TW40D’s neck is virtually identical to the one on the TW40O – a nice soft-V affair, which is slightly wider and bigger than the neck on many contemporary steel-strings.

The craftsmanship displayed on this D is of the same high standard as on the reviewed OM, really leaving nothing to be desired in terms of the TW40D’s playability and set-up (bass-E: 2.2 mm/top-e: 1.7 mm).

We all know how a Dreadnought should sound: a big bottom end, coupled with a warm mid-range and chiming treble.

The Tanglewood TW40D doesn’t disappoint:

Fishman’s Sonitone system also works very well in the context of the TW40D-AN-E-model:

Tanglewood TW40D-AN-E – soundhole rosette 2


Tanglewood TW40O-AN-E – beauty shot 1

In my opinion Tanglewood’s TW40O-AN-E and TW40D-AN-E really do offer something special in their price range:

Here we have a pair of steel-string acoustics at player-friendly prices, which take the terms ”vintage” and ”historic” above and beyond mere cosmetics. Thanks to the ”vintage correct” neck dimensions and neck profiles of these two instruments, and the wider string spacing, genuinely vintage-feeling guitars become available without custom shop price tags.

These are well-made, great-sounding guitars. Too bad I have to give them back…

Tanglewood TW40D-AN-E – beauty shot 1


Tanglewood Sundance Historic

TW40O-AN-E – 673 €

TW40D-AN-E – 673 €

Finnish distributor: Musamaailma


+ value-for-money

+ workmanship

+ authentic neck profile

+ playability

+ Fishman pickup and preamp

+ sound


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